
Archibald Nicoll Twilight Auckland Waterfront 1909. Oil on canvas board. Collection of Christchurch Art Gallery Te Puna o Waiwhetū, purchased 1984
This exhibition is now closed
Our Collection: 19th and 20th Century New Zealand Art
3 March 2018 –
3 March 2020
Our lively new historical collection exhibitions explore Māori architecture, colonial portraiture, early landscape painting and mid-century abstraction.
Our lively new historical collection exhibitions explore Māori architecture, colonial portraiture, early landscape painting and mid-century abstraction.
From customary Māori carving and weaving to contemporary works of art that provide compelling new ways to look at the world around us, by way of colonial portraits and much-loved mid-century landscapes, our lively new collection exhibitions give unique insights into our artistic and cultural heritage.
The city’s art collection began with a single painting in 1881 and, through generous gifts, bequests, and purchases over fourteen decades, now numbers nearly 7,000 works. We continue to collect art for the people of Ōtautahi Christchurch, and their visitors. Like our local community, the collection is constantly changing and growing as we build on the strengths of the past to imagine a new future. It’s a treasure, or taonga, and it belongs to all of us.
Not all the exhibited works listed below were exhibited for the entire duration of the exhibition.
Exhibition number: 1058
Presented by
Collection works in this exhibition (91)
Study of unknown man

Alice Brassington
The Mouse-trap

Petrus van der Velden
Portrait of Andrew Duncan, 3rd Mayor of Christchurch

Thomas Selby Cousins
Head Of A Girl - “Bubbles”

Petrus van der Velden
Portrait of a young woman

Leonard Hampden Booth
Mrs Elizabeth Watson

Otto Scholderer
Sunny Hours

Robert Procter
The Alarm

Wilhelm Dittmer
Cottages, Taylors Mistake

Francis A. Shurrock
John Robert Godley

Mary Donald
Maori Mother And Child

Sydney Lough Thompson
Track Over The Brow Of A Hill

Dorothy Kate Richmond
Mount Maud

Rita Angus
Jacksons, Otira

Petrus van der Velden
Untitled [Garden at Waikanae]

Rita Angus
Untitled (landscape with trees)

Edward Friström
Canterbury Spring

Leo Bensemann
Whitening Snow of Venerable Age - Tamati Pehiriri, A Noble Chieftain of the Ngāpuhi Tribe

Charles Frederick Goldie
Whatas or Patukas (Storehouses for Food)

George French Angas
Tomb of Huriwenua, a Late Chief of the Nga Ti Toa Tribe, Queen Charlotte Sound

George French Angas
Rangihaetea's Celebrated House on the Island of Mana

George French Angas
Portrait of John Marshman

Samuel Butler
Nor'western Sky

Petrus van der Velden
Lake Wakatipu

John Gully
Maori Carved Figure. Rotorua. N.Z.

John Powell, James Valentine & Sons
Old Homestead, Diamond Harbour

Margaret Stoddart
At the head of Lake Wakatipu

Dora Meeson
Untitled

Olivia Spencer Bower
Winter's Morning, Auckland

John Tole
Plain and Hills

Louise Henderson
Canterbury Plains

Colin McCahon
Shag Rock, Sumner

Charles Decimus Barraud
Nor’western Sky

Petrus van der Velden
Māori Pā, Whanganui River

W. G. Baker
Little River

Thomas Cane
Takarangi

Shane Cotton
Bush Fire, Paraparaumu

Margaret Stoddart
A Rose ’midst Poppies

Grace Joel
Lake Horowhenua

Charles Decimus Barraud
Portrait of Samuel Charles Farr

James Lawson Balfour
Landscape, Overlooking Kaitawa, Waikaremoana

Doris Lusk
Tarawera Mountain from the Landing Place near Rotomahana

John Kinder
Sand Dunes, Dunedin

Robert Field
Lake Wakatipu

Edward Friström
Nouvelle Zélande, Greniers indigènes et Habitations à Akaroa (Presqu’île de Banks, 1845

Charles Meryon
Portrait of a girl

Leonard Hampden Booth
An Outstanding Mountain, Lake Manapouri, Western Otago

Isabel Jane Hodgkins
Fisherman’s Cottage, Mokau

Ida Gertrude Eise
Portrait of a man

Thomas Selby Cousins
Cass

Rita Angus
Quonsets

Charles Tole
Diana

Elizabeth Kelly
W. H. Wynn-Williams Esq. (First President Christchurch Savage Club, 1893-1894)

Petrus van der Velden
Corner Post Of Meeting House With Bell Board

Russell Clark
Self-Portrait

Edith Munnings
Murals (Waikari)

Bill Sutton
Rising Mists, Lake Wakatipu

Olivia Spencer Bower
Victoria Square

John Weeks
Dry September

Bill Sutton
Road through Arrowtown

Evelyn Page
Huinga

Toss Woollaston
On The Dart, Wakatipu

Thomas Selby Cousins
Untitled (Southland)

Nicholas Chevalier
Professor Alexander William Bickerton

Petrus van der Velden
The Quarry

Bill Sutton
King Tāwhiao Tūkāroto Matutaera Pōtatau Te Wherowhero (Ngāti Mahuta, Tainui)

Gottfried Lindauer
East Cape

Roland Hipkins
Ina te Papatahi, a Ngāpuhi Chieftainess (Te Ngahengahe, Ngāpuhi)

Charles Frederick Goldie
Ngaio Marsh Painting

Olivia Spencer Bower
A Hot Day: Wiremu Pātara Te Tuhi (Ngāti Mahuta)

Charles Frederick Goldie
Study from Life or One of the Old School, Wiremu Watene Tautari (Ngāti Whātua)

Charles Frederick Goldie
Railway Crossing, Canterbury

Ivy Fife
Ana Reupene Whetuki and Child (Ngāti Maru) [also known as Heeni Hirini and Heeni Phillips]

Gottfried Lindauer
Portrait of Ipimia Te Ramaru Taipo

Elizabeth Kelly
Self Portrait

Samuel Butler
Rakapa, an Arawa Chieftainess: Rakapa Te Tira (Ngāti Te Takinga, Ngāti Pikiao, Te Arawa) [also known as Rakapa Manawa/Ngatatau/Rapana/Mitai]

Charles Frederick Goldie
The Farmhouse in Cornwall

Louise Henderson
Gasworks

Rita Angus
Road from Cromwell

Bill Sutton
Deposition (A Religious Painting)

Quentin MacFarlane
Rt. Hon. Richard John Seddon

Allan Bowles Cambridge
Untitled (New Zealand Bush)

Jenny Wimperis
Power House, Tuai

Doris Lusk
The Bay Of Islands

John Barr Clark Hoyte
Sea and Cliff, Punakaiki

Olivia Spencer Bower
Hawkins

Rata Lovell-Smith
Meditation

Raymond McIntyre
Twilight Auckland Waterfront

Archibald Nicoll
Portrait of Mrs E Marsh née Seager

Dora Meeson
Keri Keri Falls

John Kinder
Untitled

Rose Zeller
Related
Exhibition
We Do This
12 May 2018 – 3 June 2019
A recharged contemporary hang to mark 125 years of women’s suffrage.
Exhibition
Brought to Light: A New View of the Collection
February 2010 – February 2011
Our upstairs collection galleries have undergone an exciting and dynamic redesign – the first full rehang of the collection since Christchurch Art Gallery opened in its new building in 2003.
Commentary

In Search of Rose Zeller
Enveloped in her dark brown coat and wearing an unconventional and distinctive striped shirt, Rose Zeller looks out from the canvas with an engaging and knowing smile. Painted around 1936 by her friend, fellow artist and teacher in craft and design, Daisy Osborn, it’s a rare view of an artist who, while scarcely remembered today, was an unconventional and respected figure during the interwar years.
Commentary

The World Tossed Continuously in a Riot of Colour, Form, Sound
One hundred and twenty five years ago, after years of political struggle, Aotearoa New Zealand granted all adults the right to vote by extending suffrage to women. To mark this anniversary, for this issue of Bulletin our curators have written about some of the Gallery’s significant – yet lesser-known – nineteenth and mid-twentieth-century works by women. Our intention is to make these paintings, and the cultural contribution of the artists, more visible in 2018.
Commentary

The Dutch Funeral, Retitled
When you think about it, The Dutch Funeral is a peculiar title for a work painted in the Netherlands, by a Dutch artist. You could imagine such a work being titled The Funeral, or A Funeral; or even more likely, A Funeral at a Specified Place or possibly At a Specified Time. Even Of a Certain Person. But The Dutch Funeral? Most unlikely. It was while we were researching works for the Closer exhibition that its strangeness suddenly became evident to me. I was surprised that I’d never questioned the title before. But then, like many people who grew up in Christchurch, I was used to The Dutch Funeral as a fixture of local culture, a work so large it could never be taken off the wall at the McDougall; a magnificently gloomy painting which van der Velden scholar Rodney Wilson once described as “a sort of Christchurch version of the Night Watch with an immense public following”.