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Supporters

Christchurch Art Gallery Foundation

Christchurch Art Gallery Foundation

Brent Williams

Christchurch Art Gallery Foundation

My favourite artwork is Michael Parekowhai’s Chapman’s Homer – no question. It symbolises the strength of the bull and the strength of Christchurch post-earthquake. I’ve been involved with the Foundation since early 2015 and love what the Foundation is achieving post-earthquake. I enjoy being involved with an organisation that is attracting people back into the city.

Kate Mayo, Singapore Airlines New Zealand

Kate Mayo, Singapore Airlines New Zealand

Gallery partner

I always admired people who were talented at art, who could tell a story, or sculpt something amazing or make you think or aspire to something else. That’s maybe why I like art – it makes me learn, discover and imagine. I visit galleries in NZ and overseas because they’re representative of the culture of that place …

Charlotte Gray

Charlotte Gray

Christchurch Art Gallery Foundation

I jumped at the opportunity to join the Foundation in October 2014 when I heard about the plan to purchase five great works. The Gallery has fantastic vision and is in great hands right now. One of my favourite artworks in Christchurch is Martin Creed’s Work No. 2314 which tells us everything is going to be alright. I like the simple message in dazzling lights. For me it symbolises the pretence I showed, for the sake of my kids, that the earthquakes were nothing to worry about. I have my parents to thank for surrounding me with good New Zealand art and making it part of the everyday conversation – the disagreements were part of the fun.

Cakes by Anna

Cakes by Anna

Small Business Partner

Anna Worthington is a Small Business TOGETHER Partner of the Gallery Foundation. She is the creator, baker and maker of Cakes by Anna. After completing her BFA at Elam School of Fine Arts and spending time abroad, she returned to Christchurch and fell into the wonderful world of cake. Outside the kitchen, Anna enjoys gardening, drawing and eating.