B.

My favourite artwork is Michael Parekowhai’s Chapman’s Homer – no question. It symbolises the strength of the bull and the strength of Christchurch post-earthquake. I’ve been involved with the Foundation since early 2015 and love what the Foundation is achieving post-earthquake. I enjoy being involved with an organisation that is attracting people back into the city.

My love of art started at high school when visiting the Robert McDougall Art Gallery. I attended art classes there and tried unsuccessfully to discover any latent talent! I joined the Foundation board in 2008 and enjoy what it brings to the city. My all-time favourite artwork is Mountain Stream, Otira Gorge by van der Velden. It is bleak and powerful.

I grew up with an interest in art and this interest was accelerated through my early involvement in a special and well informed art group. One of my favourite pieces is Fanfare by Neil Dawson, particularly when it is lit up or glistening in the sun. It creates a dynamic entrance to Christchurch. I joined the board in 2008 and especially enjoy being involved in the art community in Christchurch and contributing in a real way. Working with like-minded people in the city.

The correlation between new business and commerce with newly created art is intrinsic in nature. Business owners and artists, creators and legacy makers joining together to celebrate inspiration and foresight is what excites me about partnering with Christchurch Art Gallery.

Art is at the epicentre of the rebuild and renewal of ideas, hope and vision for the new Christchurch. Christchurch Art Gallery was ground zero post-quake and now, the heart and soul for Cantabrians.

The creation of ‘something’ from nothing, actioned via a cultural inspiration, an idea, muse, or moment that has had an effect on the maker is what fascinates me about art. The legacy of art continues through time, forever held in the hands of art lovers, curators and artists, available for generations to come.