Director's Foreword

Director's Foreword
Director's Foreword

Director's Foreword

As I write this, I’m still smiling with pleasure and pride at the huge success of the Gallery Foundation’s fundraising drive for our own work by Ron Mueck. Wonderful in its own right, it’s amazing to finish the 2017 calendar year knowing a sculpture by Mueck is now on its way to join the other four ‘great works’ for Christchurch.

Director's Foreword
Collections Matter

Collections Matter

Since late 2006 when I started as director of Christchurch Art Gallery Te Puna o Waiwhetū, I’ve written several times about our art collections in Bulletin forewords. Given their centrality to our daily work and our reason for being, this is unsurprising. So it’s good news that we’re focusing on collections in this edition of our quarterly journal.

 

Director's Foreword
Director's Foreword

Director's Foreword

Welcome to the winter edition of Bulletin. In this issue of the magazine we hear from writer and rongoā practitioner Arihia Latham (Kāi Tahu), who looks at celebrated Kāi Tahu artist Lonnie Hutchinson’s new project for our gallery spaces and forecourt. Rongoā is the traditional form of plant-based medicine practiced by Māori, and Ahu Tīmataka / Trace Elements brings together rongoā plantings on the Gallery’s forecourt and cut-out works in an exhibition space upstairs. Foremost amongst the plants featured in the exhibition is kawakawa—the most important herb in Māori traditional healing. Latham finds a project that questions our construction of spaces, and the exterior versus the interior presentation of ourselves.

Director's Foreword
Director's Foreword

Director's Foreword

Welcome to the autumn edition of Bulletin. The Gallery is currently getting ready to install an exhibition project that we’ve been working on for a number of years now. Ralph Hotere: Ātete (to resist) is the first major survey of Hotere’s artistic career for over twenty years, and includes works from collections across Aotearoa. 

Director's Foreword
Director's Foreword

Director's Foreword

In mt last Bulletin foreword we looked backward, celebrating 200 issues and more than forty years of publishing. This time I want to use this space to look forward, and to think about what role this magazine will fill in the coming years. I want Bulletin to increasingly develop as a place for ideas, experiments and opinions. The writing in its pages will be guided by the Gallery’s programme, but we aim to expand upon the ideas and themes in an accessible manner. We want to aim high and continue to develop our readership as we believe Bulletin is one of the best and most readable art magazines in New Zealand.

Director's Foreword
Director's Foreword

Director's Foreword

Welcome to the winter edition of Bulletin. This issue is special for a range of reasons; some positive, some less so. It’s an anniversary for us, and a rather big celebration—our 200th issue. Since Bulletin’s humble beginnings in 1979, under the directorship of Rodney Wilson and driven by then education officer Ann Betts, this magazine has grown to become an award-winning and industry leading publication that is highly respected by our peers. It’s now one of our most important means of communicating with you, our audience, and a vital place for us to collate our thinking.

Director's Foreword
Director’s Foreword

Director’s Foreword

Welcome to the autumn issue of Bulletin. Here at the Gallery, we’re about to move into a major changeover as we rehang our upstairs collection galleries. When they reopen again on 10 April, the whole space will have been given over to a major new exhibition.

Director's Foreword
Director's Foreword

Director's Foreword

Spring is traditionally seen as a time of change, and these last few months have been no exception; since the last issue of the magazine was published in September we’ve made some significant changes at the Gallery.

Director's Foreword
Director’s Foreword

Director’s Foreword

Welcome to the spring edition of Bulletin. Our downstairs touring exhibition galleries are currently alive with video and moving image art, all of it produced by Māori practitioners in the last thirty years. This exhibition, which tours to us from the Dowse Art Museum in Lower Hutt, looks to capture and collate the contribution of Māori artists to time-based art practice in this country.

Director's Foreword
Director's Foreword

Director's Foreword

Welcome to the winter edition of Bulletin. It’s impossible to talk about the last few months in Christchurch now without acknowledging the terrible events of 15 March. The mosque shootings were a horrific act that changed this city, and indeed our country, forever. Such brutality and hate is something we could never have imagined. But what also eventuated was an outpouring of love, unity, compassion, courage and incredible leadership. That is something that our city needs to hold on to and never forget. Te Puna o Waiwhetū Christchurch Art Gallery has always been a place for people to gather, regardless of race, gender or religion—we welcome all, and our doors are open. But I know we all can, and must, do so much more.

Load more