- Oil on board
- Purchased 1955
- 688 x 798mm
- View on google maps
Daughter of an architect, and married to an engineer, Lusk was keenly attuned to structure. While artists such as Rata Lovell-Smith, Rita Angus and Christopher Perkins juxtaposed natural and constructed elements, such as bridges, telegraph poles and railway stations, Lusk chose more dominating features that resonated with weight, energy and a sense of industry. Artist Anne Hamblett recalled: “Doris always did a different sort of thing. Buildings and water stations. […] She liked doing big water pipes and machines.” This view of the newly built Kaitawa hydro-electric station and associated settlement was painted when Lusk visited her friends Ian and Adelaide McCubbin in 1948. Ian McCubbin was a construction engineer for the Waikaremoana hydro-electric power scheme, which included power stations at Piripaua and Tuai (also painted by Lusk and part of this exhibition). Here, the massive pipeline in the foreground seems to continually shift in scale, looming hugely over the miniature houses but dwarfed in its turn by the distant mountain ranges.
(Doris Lusk: Practical Visionary, 4 June – 30 October 2016)