Interview
Interview
Down the Waitaki Awa
Pouarataki curator Māori Chloe Cull talks with artist and designer Ross Hemera (Waitaha, Ngāi Tahu, Ngāti Māmoe) about his life and work.
Interview
Practice, Poetry and Precision
Artist Yona Lee has been preparing something very special in her Tāmaki Makaurau Auckland studio – a new commission that honours the history of the Gallery building, Te Puna o Waiwhetū. Lee took some time away from her workbench to speak with lead curator Felicity Milburn about her dream of filling the under-stairs space with water and light.
Interview
A Space for Conversation
Ōtautahi Christchurch-based artists Victoria Edwards and Ina Johann have worked in artistic collaboration as Edwards + Johann since 2007. They take an interdisciplinary approach to art- making, combining photography, drawing, collage, performance, video and sculpture.
Curator Felicity Milburn spoke with the pair shortly after their month-long residency at Sutton House, during which they prepared sculptures for their upcoming Gallery exhibition. Edwards + Johann: Mutabilities—propositions to an unknown universe will combine these with other works made across the last five years to investigate ideas of response to place, connection and transformation. All of the works carry the indelible resonance of the unforgettable, and tragically unpredictable, geothermal environment of Whakaari White Island, which Edwards + Johann visited in 2018, prior to its devastating 2019 eruption.
Interview
A Shift in Place
After Encountering Aotearoa opened at Dunedin Public Art Gallery I spent time reflecting on whether I was happy with the body of work and how it conveyed the journey I had taken with my Pāpā and my relationship with the whenua.
Interview
Toloa Tales
In November and December 2023, artists and friends Sione Tuívailala Monū (Aotearoa, Australia, Tonga) and Edith Amituanai (Aotearoa, Sāmoa) went to Sāmoa together to make new video works for their forthcoming exhibition at Christchurch Art Gallery Te Puna o Waiwhetū: Toloa Tales. With extended family and now her mother and aunt living there, Edith has visited several times before. However, this was the first time for Sione. The relationship between Tonga and Sāmoa is one of ancient rivalry and connection, with Tonga more recently exerting colonial force in the region before European and American colonisation. Edith and Sione talked to Bulletin about their time in Sāmoa, their process of making, and how their understandings of cultural identity and migration have changed over time.
Interview
Raising the Clay
One of the themes explored in the Gallery’s new exhibition Leaving for Work is local industry, particularly in relation to pottery. The show includes an 1896 painting by Charles Kidson of well-known early Sydenham potter Luke Adams; three late nineteenth-century pots by Adams; and projections of a number of exceptional photographs by Steffano Webb. Keen to learn more, exhibition curator Ken Hall met up with local pottery historian Barry Hancox – perhaps best-known as former Smith’s Bookshop proprietor – and leading New Zealand photographer, Oxford-based Mark Adams. Mark’s links to this story include a distant family connection to Luke Adams; photographing many celebrated New Zealand potters of the 1970s and 1980s; and an abiding interest in land and memory.
Interview
In The Studio
Paul Moorhouse: We are standing in front of a full-size cartoon for Cosmos, the new wall painting that will be installed at Christchurch Art Gallery. How does the cartoon relate to the final wall painting?
Bridget Riley: The cartoon is painted in gouache on paper, but it gives me a good idea of the full-scale image that will be recreated on the wall in Christchurch. I have also made a smaller painting in acrylic directly onto the wall here in the studio. This is complete in itself, and provides the information I need to give me confidence in the appearance of the discs when the larger image is created on the gallery wall.
Interview
Observing Rituals
Kushana Bush is a Dunedin-based artist, whose meticulously detailed and stage-like worlds blend religious themes with secular narratives, often manifesting in ritualistic violence. Her paintings examine what spirituality, ritual and community might mean in a contemporary world. She spoke with Balamohan Shingade of ST PAUL St Gallery in February
Interview
Sideslip
Sydow: Tomorrow Never Knows recently opened at Gallery and the exhibition’s curator, Peter Vangioni, took the opportunity to interview UK-based sculptor Stephen Furlonger. Furlonger was a contemporary of Carl Sydow and mutual friend and fellow sculptor John Panting, both at art school in Christchurch and in London during the heady days of the mid 1960s. His path as an artist during the late 1950s and 1960s in many ways mirrored that of Sydow and Panting.
