At the Gallery
SCHOOL HOLIDAYS Collage Zoo
SCHOOL HOLIDAYS My Paper Universe
Wallace and Gromit: The Curse of the Were-Rabbit
Countdown to Fifteen
Familiar landscape for our new director
French explorers, natural historians, whalers and Catholic missionaries were increasingly present in the south-west Pacific from the mid-eighteenth century, but there was also a political thread in this activity. During the 1820s some in France saw New Zealand as a potential penal colony, and the project that saw a handful of French colonists settle on Banks Peninsula in 1840 made an official French presence in the region even more appropriate. This took the form of a French naval base, the ‘New Zealand station’, established at Akaroa in 1840.Continued
Fifteen is our birthday party (guess how old we are…) and it’s less than two weeks away! It’s also the opening event for Tony de Lautour’s US V THEM, which is our big winter exhibition. We asked curator Peter Vangioni and visitor programmes coordinator Amy Marr what they’re most excited about in the incredible line-up for this grand birthday bash.
Ane Tonga's Seta
There’s a moment in my play Black Faggot when a gay Samoan man describes the moment he sees ‘this fine chocolate piece of mmmmmm’ on the dancefloor at a nightclub.
‘…he looked over at me and then he smiled and then I was like, Damn, he’s a Tongan. He had a mouthful of gold in there…’
Blair Jackson has been appointed the new director of Christchurch Art Gallery Te Puna o Waiwhetū.
ANZ Private is really proud to sponsor Christchurch Art Gallery Foundaiton, and support Christchurch.
It’s wonderful to be able to bring quality art to Christchurch and have it accessible to everyone.
US V THEM: Tony de Lautour
Welcome to the low brow, high art world of Tony de Lautour’s paintings, sculptures and ceramics.
In Pictures: Quasi
He whare whakairo ki te tohunga, he whare kōrero, he whare rangatira.
'The master carver’s house becomes one that is treasured and is revered.'
George Dunlop Leslie was a successful, prolific artist who exhibited annually at the Royal Academy from 1859; usually theatrical, symbol-laden paintings of young women from a previous age.
In the Wizard’s Garden was exhibited at the Royal Academy in 1904. Attending the opening was Wolf Harris (1833–1926), a Kraków-born, London-based Jewish businessman recorded by The Times as, ‘a great friend of many of the artists’, who had established a hugely successful importing and manufacturing company in New Zealand during the 1850s Otago gold rushes. When Leslie lent this painting for the 1906–07 New Zealand International Exhibition, Wolf Harris purchased it for the Canterbury Society of Arts; it was given to the city in 1932. (Treasury: A Generous Legacy, 18 December 2015 – 27 November 2016)