On Now
He Kapuka Oneone – A Handful of Soil
From 24 August 2024
Shannon Te Ao Pūaotanga o te Ao 2022. Digital print. Collection of Christchurch Art Gallery Te Puna o Waiwhetū, purchased 2023
Exploring the relationship between tākata and whenua – people and land – through Aotearoa New Zealand’s art history.
This expansive and unmissable exhibition explores the fundamental role whenua plays in the visual language and identity of Aotearoa. Acknowledging Māori as takata whenua, the first peoples to call this land home, themes of kaitiakitaka, colonisation, environmentalism, land use, migration, identity and belonging are considered through collection works, new acquisitions and exciting commissions. Painting, sculpture, ceramics, raraka, photography, moving image, printmaking and weaving by historical and contemporary artists are brought together to reveal how land has been a material and subject for art in Aotearoa for hundreds of years.
Curator:
Peter Vangioni
Melanie Oliver
Felicity Milburn
Chloe Cull
Ken Hall
Exhibition number: 1165
Upcoming Event
Freezing Works Series: Designs for a Dinner Set by Bing Dawe
31 October
Join art historian Dorle Pauli as she discusses Bing Dawe's Freezing Works Series: Designs for a Dinner Set in He Kapuka Oneone - A Handful of Soil on the first floor.
Collection works in this exhibition (126)
Predator I
Denise Copland
Waiho, Retreat
Janine Randerson
He Taonga Mutunga Kore II
Te Kāhui Hono
Ka moe te whaea i te wai
Ross Hemera
Ko Tahu, ko Hamo koa
Ranui Ngarimu
29.09.2009 Tribute to Sāmoa, American Samoa, and Tonga
John Vea
Starfruit Fruiter
Jacquelyn Greenbank
2004 Foreshore and Seabed March, Cyril Chapman holding photograph of himself leading the 1975 Māori Land March in Wellington
John Miller
1975 Māori Land March, Dave Ruru wheels his daughter Tania along the Wellington motorway south of Porirua, Monday, 13th October, 1975
John Miller
1975 Māori Land March, Parliamentary welcome. Left to right: Matiu Rata, Whetū Tirikātene-Sullivan, Hārata Ria Te Uira Solomon, Sally Marshall, Tarawara Kātene.
John Miller
1975 Māori Land March, Whina Cooper speaks at Parliamentary welcome
John Miller
1975 Māori Land March Porirua to Wellington motorway
John Miller
The Blue Slip (Barton's Gully), from Mangarara Stream
Natalie Robertson
Tatau Pounamu
Areta Wilkinson
Akaroa Purchase 1856
Areta Wilkinson
Beacon
Jimmy Ma'ia'i
Reconnect
Sarah Hudson
Puna
Vanessa Wairata Edwards
Remember
Sarah Hudson
Te Hā o Papatūānuku
Louise Pōtiki Bryant
Poumanawhenua
Riki Manuel
Pūaotanga o te Ao
Shannon Te Ao
Māori Never Ceded Sovereignty to the Crown
Robyn Kahukiwa
Ka Whawhai Tonu Mātou
Diane Prince
Midnight Vessel
Tracy Keith
Twilight Vessel
Tracy Keith
Te Au
Simon Kaan
Travel without moving
Conor Clarke
Screens
James Oram
Amongst the People
Sorawit Songsataya
Paikea Pot
Colleen Waata Urlich
Hei Tiaki; Protective Pendants
Alexis Neal
Ka mua ka muri; Looking back in order to move forward
Alexis Neal
Untitled [possibly Mount Alexander from the Taramakau River]
Edmund Gouldsmith
Milford Sound
Edwin Robert Stapylton Sandys
Kawakawa Job 12: 7-8
Shona Rapira-Davies
Ceremonial
Baye Pewhairangi Riddell
Manaia
Baye Pewhairangi Riddell
Ōtāhuhu and Rarotonga
Emily Karaka
Ōhuiarangi
Emily Karaka
Matukutūruru
Emily Karaka
4902 VISTA VOLLEY
Bridget Reweti
4893 DREAM GOOD DREAMS
Bridget Reweti
4877 NO BAD ANGLES
Bridget Reweti
4870 LIVING THE DREAM
Bridget Reweti
4860 SATURATED IN SCENERY
Bridget Reweti
4851 WAIT TILL HE BRINGS YOU RABBITS
Bridget Reweti
4839 JUST NEED TO GO A BIT FASTER
Bridget Reweti
Te Whakawhitinga
Jeremy Leatinu'u
4836 SPOT ON
Bridget Reweti
Norwester Bowl #2
Hana Rakena
Inlet Bowl
Hana Rakena
Brush and Ink Study
Kim Lowe
Storehouses and Storage Platform
Charles Meryon, Auguste Delâtre
Bone Yard Open Home, Cave Painting 4, Convocation of Eagles
Bill Hammond
Frog Rock
Ivy Fife
Sheep Sale
Juliet Peter
Wainui
Rita Angus
View of Mokoia 1
Joanna Margaret Paul
Milkstock
Cheryl Lucas
Twin Peaks, Berlin
Conor Clarke
Untitled (Ōpāwaho Heathcote River, Ōtautahi Christchurch)
Robert Askew Gill
Untitled [Trucks on a Country Road]
Juliet Peter
Untitled [Farmer with Rabbits]
Juliet Peter
Untitled [Clearing Bush and Hoeing]
Juliet Peter
Devastation of burnt forest hillside, Westland
John Johns
Hill Country 2
Margaret Ryley
Pembroke, Lake Wanaka
Laurence William Wilson
Mount Aspiring, Head of Waiatoto Valley
W. G. Baker
On the Wilberforce River near Bond's Station
Thomas Selby Cousins
Freezing Works Series: Designs for a Dinner Set
Bing Dawe
Strataform I
Margaret Ryley
Dark Mountain
Marilynn Webb
Mount Torlesse from near Castle Hill, West Coast Road, Limestone Gate on the Thomas River
James Crowe Richmond
The Forks of the Rakaia
Thomas Selby Cousins
New Zealand glacier
Edwyn Temple
Te Whiti Drawing-Painting
Ralph Hotere
Kaitiaki Figure
John Bevan Ford
Mount Sefton
Charles Worsley
Mount Sefton from Foliage Hill
Charles Worsley
Mining Crumble
Marilynn Webb
A Visionary Landscape - the Canterbury Plains
Georgia Suiter
Mount Sefton
Margaret Stoddart
Mount Sefton from The Hermitage
Dorothy Kate Richmond
Brooklands
Archibald Nicoll
Wall-hanging, Untitled
Nancy Mason
Untitled Lake Scene
John Macintosh Madden
Back Country, Lake Selfe Area
Rata Lovell-Smith
Water Grasses
Ida Lough
Wintertime, Mount Sefton
Esther Studholme Hope
Marshes Burwood
William Menzies Gibb
Clearing up, Otira Gorge
John Gibb
Clearing up after Rain, Foot of Otira Gorge
John Gibb
Bottle Lake
John Gibb
On The Heathcote
James Lawson Balfour
Spöring’s View of Motuaro (from the Endeavour, 1769)
John Bevan Ford
Akaroa Hills
Rita Angus
Untitled [Rider with Dogs and Man in Sleeping Bag]
Juliet Peter
Wainui, Akaroa
Rita Angus
Potato Planting
Russell Clark
Okains Bay, Banks Peninsula
Doris Lusk
The Mamakus
Buck Nin
Kaikoura Country
Olivia Spencer Bower
Onekaka Estuary
Doris Lusk
Haycocks, Wainui
Rita Angus
Mount Rolleston and the Otira River
Petrus van der Velden
Early Morning, Jacksons
Herbert Horridge
Lake Wakatipu
John Gully
Colonization Triptych
William Dunning
Filter Action, Aramoana
Andrew Drummond
Governors Bay
Louise Henderson
On Another Man’s Land
John Pule
Canterbury Plains from Cashmere Hills
Doris Lusk
Canterbury Plains
Colin McCahon
The ‘Food Basket of Rakaihautu’ from Horomaka, 31 March 1991
Mark Adams
Bush Fire, Paraparaumu
Margaret Stoddart
Untitled [Quentin (Kin) Woollaston Shearing]
Toss Woollaston
Land Extensums, Port Hills
Pauline Rhodes
King Tāwhiao Tūkāroto Matutaera Pōtatau Te Wherowhero (Ngāti Mahuta, Tainui)
Gottfried Lindauer
Bridge, Mt Cook Road
Rata Lovell-Smith
Aramoana - Drawing for a Black Window
Ralph Hotere
Aramoana Soup
Marilynn Webb
Mount Cook & Francis Joseph [Franz Josef] Glacier, New Zealand - from Freshwater Creek distance about 40 miles
Sir William Fox
Hills and Plains, Waikari
Bill Sutton
Happy Spinners
Olivia Spencer Bower
Still Keeping His Balance, He Used The Umbrella As A Safety Net - image of a man with missile
Bing Dawe
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Article
He Kapuka Oneone – A Handful of Soil
Our expansive collection exhibition explores the fundamental role whenua plays in the visual language and identity of Aotearoa New Zealand. Acknowledging Māori as takata whenua, the first peoples to call this land home, themes of kaitiakitaka, colonisation, environmentalism, land use, migration, identity and belonging are considered through collection works, new acquisitions and exciting commissions. Painting, sculpture, ceramics, photography, moving image, printmaking and weaving by historical and contemporary artists are brought together to reveal how land has been a material and subject for art in Aotearoa for hundreds of years. Here, the Gallery’s curators each take a closer look at a key work from the exhibition that tells us something about our complex relationship with the whenua.
Director's Foreword
Director’s Foreword
As I write this it’s a cold and gloomy Ōtautahi Christchurch day and the Gallery is abuzz with a wide range of visitors, family groups and children, taking part in our school holiday workshops and programmes, and filling our spaces with activity, excitement and laughter. It’s a lovely warm place to be on a grey day. Hopefully by the time this Bulletin arrives in your hand there’s a sense that spring is arriving, trees are greening up and the days are longer once again. By then we will have recently opened our major new collection focused exhibition to replace Perilous: Unheard Stories from the Collection.
Commentary
He Kapuka Oneone – A Handful of Soil
Our expansive new collection exhibition explores the fundamental role whenua plays in the visual language and identity of Aotearoa New Zealand. Acknowledging Māori as takata whenua, the first peoples to call this land home, themes of kaitiakitaka, colonisation, environmentalism, land use, migration, identity and belonging are considered through collection works, new acquisitions and exciting commissions. Painting, sculpture, ceramics, photography, moving image, printmaking and weaving by historical and contemporary artists are brought together to reveal how land has been a material and subject for art in Aotearoa for hundreds of years. Here, the Gallery’s curators each take a closer look at a key work from the exhibition that tells us something about our complex relationship with the whenua.
Notes
Whenua
On sale now!
Featuring more than 100 of the country’s most important artists, this major book explores the role of whenua in our art history.