Notes
B.
Bulletin
New Zealand's leading
gallery magazine
Latest Issue
B.22401 Jun 2026
Contributors
Notes
Untitled [Quentin (Kin) Woollaston Shearing] by Sir Toss Woollaston
This article first appeared as 'The fine juggling act to create his artwork' in The Press on 8 June 2017.
Notes
Christchurch Art Gallery Foundation's Fifth Annual Gala Dinner
London's hottest chefs are coming to town – and you're invited to dinner!
Notes
Among the sandhills by Adrian Stokes
This article first appeared as 'Sandhills painting's life as nomadic as artist's' in The Press, 15 August 2017.
Notes
Te Puna o Waiwhetū remembers Cliff Whiting
He whare whakairo ki te tohunga, he whare kōrero, he whare rangatira.
'The master carver’s house becomes one that is treasured and is revered.'
Notes
Underworld 2 by Tony de Lautour
This article first appeared as 'Painting offers a multiverse of symbols' in The Press on 21 June 2017.
Notes
Portrait of John Marshman by Samuel Butler
This article first appeared as 'Painting's fascinating life mirrors subject's ' in The Press, 15 May 2017.
Notes
Your Hotel Brain
This week we've been installing a new collection exhibition, Your Hotel Brain. It replaces curator Ken Hall's elegant meditation on architecture and memory, Above Ground, in the contemporary collection galleries.
Notes
Gallery Happenings: Grayson Gilmour
In early March we were lucky enough to have the incredibly talented Grayson Gilmour performing at the Gallery, supported by the equally talented Purple Pilgrims and New Dawn. I love these gigs, but there is a lot of work to be done behind the scenes to make sure that, by the time the public walk in the door, the foyer is gig ready. The process normally feels like a long, slow marathon with a sprint at the final corner. So here’s a guide to how you too can get the NZI Foyer gig-ready in five (or six) easy steps.
Notes
Vale Ann Betts
Ann Betts had a long association with the Robert McDougall Art Gallery and Christchurch Art Gallery. She was first appointed as education officer by Rodney Wilson in 1979. This was when the Gallery developed professionally, with new positions being established that included education, curatorial and conservation roles.