Blair Jackson

Director's Foreword
Director's Foreword

Director's Foreword

Welcome to the autumn edition of Bulletin. The Gallery is currently getting ready to install an exhibition project that we’ve been working on for a number of years now. Ralph Hotere: Ātete (to resist) is the first major survey of Hotere’s artistic career for over twenty years, and includes works from collections across Aotearoa. 

Notes
A Bird in the Hand

A Bird in the Hand

The Christchurch Art Gallery Foundation is honoured to assist the Gallery in acquiring Bill Hammond's Bone Yard Open Home for its permanent collection. But, we need your help!

Director's Foreword
Director's Foreword

Director's Foreword

In mt last Bulletin foreword we looked backward, celebrating 200 issues and more than forty years of publishing. This time I want to use this space to look forward, and to think about what role this magazine will fill in the coming years. I want Bulletin to increasingly develop as a place for ideas, experiments and opinions. The writing in its pages will be guided by the Gallery’s programme, but we aim to expand upon the ideas and themes in an accessible manner. We want to aim high and continue to develop our readership as we believe Bulletin is one of the best and most readable art magazines in New Zealand.

Director's Foreword
Director's Foreword

Director's Foreword

Welcome to the winter edition of Bulletin. This issue is special for a range of reasons; some positive, some less so. It’s an anniversary for us, and a rather big celebration—our 200th issue. Since Bulletin’s humble beginnings in 1979, under the directorship of Rodney Wilson and driven by then education officer Ann Betts, this magazine has grown to become an award-winning and industry leading publication that is highly respected by our peers. It’s now one of our most important means of communicating with you, our audience, and a vital place for us to collate our thinking.

Notes
Director’s Update

Director’s Update

With a welcome shift back to Level 2 in our collective fight against COVID-19, we are delighted to reopen our doors to visitors.

Notes
Update from director Blair Jackson

Update from director Blair Jackson

Kia ora koutou. Hello.

I want to let our supporters and art lovers know what we are doing in these difficult times, and how you can still find moments of relief and escape through art. Like much of the world, Christchurch Art Gallery Te Puna o Waiwhetū is temporarily closed to our visitors and our staff. Like many of you are experiencing in your own lives, we’ve needed to figure out new ways of working, staying connected as a team, and working out what we can offer and ways that might help us to engage, inspire and connect you with great art and ideas.

Director's Foreword
Director’s Foreword

Director’s Foreword

Welcome to the autumn issue of Bulletin. Here at the Gallery, we’re about to move into a major changeover as we rehang our upstairs collection galleries. When they reopen again on 10 April, the whole space will have been given over to a major new exhibition.

Director's Foreword
Director's Foreword

Director's Foreword

Spring is traditionally seen as a time of change, and these last few months have been no exception; since the last issue of the magazine was published in September we’ve made some significant changes at the Gallery.

Notes
New Lead Curator Announced

New Lead Curator Announced

Christchurch Art Gallery Te Puna o Waiwhetū is delighted to announce the appointment of our new lead curator, Felicity Milburn.

Director's Foreword
Director’s Foreword

Director’s Foreword

Welcome to the spring edition of Bulletin. Our downstairs touring exhibition galleries are currently alive with video and moving image art, all of it produced by Māori practitioners in the last thirty years. This exhibition, which tours to us from the Dowse Art Museum in Lower Hutt, looks to capture and collate the contribution of Māori artists to time-based art practice in this country.

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