This exhibition is now closed
Unruly art and design from the early years of New Zealand’s maverick record label.
Celebrating the fortieth anniversary of the founding of Flying Nun Records in Ōtautahi Christchurch, Hellzapoppin’! brings together original artwork and design, film, record covers, posters and photography from some of New Zealand’s favourite bands. From rare collectible records and vintage posters to original artworks and paste-up designs, this exhibition explores the art and artists behind the music. Including Scorched Earth Policy, The Chills, Tall Dwarfs, The Bats, Pin Group, the 3Ds, The Verlaines, The Dead C and many others.
From the Store
Related reading: Gigs at the Gallery
In May 2014 Christchurch Art Gallery presented a classic double bill featuring two of the South Island's legendary underground bands – the Dead C and the Terminals.
Formed in the second half the 1980s, both bands have forged reputations in New Zealand and overseas for their no compromise approach. In New Zealand they have released material through the Flying Nun and Xpressway labels, as well as numerous international labels including Siltbreeze and BaDaBing Records in the USA.
Seeing these bands live is a rare opportunity at the best of times. But catching both at the same gig is almost unprecedented.
Welcome to the spring edition of Bulletin. As I write this, the country has once again entered a period of level four lockdown, which will mean some uncertainty and anxiety for many of us. It's not yet clear when we will leave lockdown, which means that printing deadlines and exhibition openings dates may have to be moved, so please do check on our website for updates.
Dunedin Christchurch Sound
A particularly romantic image attached to the record label Flying Nun shortly after its inception in 1981: journalists claimed it captured the purity of musicians playing without regard for fame or fortune. The label’s output became collectively known as the Dunedin Sound and formed the basis of a reputation that has shrouded Dunedin in classic rock mythology and mystery for the last forty years.
Welcome to the winter edition of Bulletin. In this issue of the magazine we hear from writer and rongoā practitioner Arihia Latham (Kāi Tahu), who looks at celebrated Kāi Tahu artist Lonnie Hutchinson’s new project for our gallery spaces and forecourt. Rongoā is the traditional form of plant-based medicine practiced by Māori, and Ahu Tīmataka / Trace Elements brings together rongoā plantings on the Gallery’s forecourt and cut-out works in an exhibition space upstairs. Foremost amongst the plants featured in the exhibition is kawakawa—the most important herb in Māori traditional healing. Latham finds a project that questions our construction of spaces, and the exterior versus the interior presentation of ourselves.
We are looking for a small group of passionate taste-makers to join our ReMix Committee. Come and ensure YOUR voice is represented at Christchurch Art Gallery by working with our team to plan an event (and other activities) that is all about, and for, young people. We don’t want to tell you what you might like, we want you to tell us! You pick the theme, you pick the bands, you pick the performers, you pick the film, you pick the speakers.
Fifteen is our birthday party (guess how old we are…) and it’s less than two weeks away! It’s also the opening event for Tony de Lautour’s US V THEM, which is our big winter exhibition. We asked curator Peter Vangioni and visitor programmes coordinator Amy Marr what they’re most excited about in the incredible line-up for this grand birthday bash.
Now’s your chance to help create a cool event for you and your friends!
The Mix is Christchurch’s Art Gallery bi-monthly late-night event – an interactive mix of art, music, film and good people. We want to run a Mix designed, curated and for under 18s – ReMix.
In early March we were lucky enough to have the incredibly talented Grayson Gilmour performing at the Gallery, supported by the equally talented Purple Pilgrims and New Dawn. I love these gigs, but there is a lot of work to be done behind the scenes to make sure that, by the time the public walk in the door, the foyer is gig ready. The process normally feels like a long, slow marathon with a sprint at the final corner. So here’s a guide to how you too can get the NZI Foyer gig-ready in five (or six) easy steps.