Notes

Notes
White-out

White-out

The care of artworks is of the utmost importance here at Christchurch Art Gallery, so it's a strange feeling to 'destroy' an artwork.

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Value for money

Value for money

The value of art

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Collateral Damage

Collateral Damage

New Zealand art's proud protest tradition continues in Auckland.

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Extraction complete

Extraction complete

It seems quite some time ago now – almost two years actually – since we were in the planning stages of the Andrew Drummond exhibition Observation, Action, Reflection.

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The future isn’t what it used to be

The future isn’t what it used to be

Nothing looks older today than yesterday's robots. Rewind through the history of science fiction and you'll find hundreds of robots to whom time has not been kind – creations that looked newer-than-new when they first emerged but now appear tragically tinny.

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1968 Festival highlight

1968 Festival highlight

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Erring on the side of caution

Erring on the side of caution

To err is human, to forgive divine. Alexander Pope (1688–1744)

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It's a very gourd sign

It's a very gourd sign

One painting I was very pleased to see again recently isn't from the Gallery's collection, but will be very familiar to many Christchurch people.

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Smith's Bookshop

Smith's Bookshop

Julian Dashper's drawing/collage Blue Cross at Smith's Bookshop captures something of the friendly chaos that welcomed visitors as they stepped off the footpath of Manchester street and into one of Christchurch's most well-known and best-loved bookstores.

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But seriously

But seriously

When it comes to contemporary painting, seriousness has a way of turning into solemnity, and solemn art is just asking for it.

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