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    Bulletin
    New Zealand's leading 
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    NotesCommentaryArtist ProfileArticleDirector's ForewordMy FavouriteInterview

    Director’s Foreword

    Director's Foreword

    Disruptive Landscapes

    Commentary

    Tony Fomison: No!

    My Favourite

    Clocking Off
    The Shifting Labours of John Vea

    Commentary

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    810 Results 110 Blog 90 Bulletin 1 Cagtpow 417 Collection 62 Events 69 Exhibitions 61 Multimedia
    B.166
    Issue
    B.166
    Director’s Foreword
    Director's Foreword
    Director’s Foreword
    Wunderbox
    Article
    Wunderbox
    B.165
    Issue
    B.165
    Of Braided Rivers and Hydro-Traders
    Commentary
    Of Braided Rivers and Hydro-Traders
    Leo Bensemann: an art venture
    Artist Profile
    Leo Bensemann: an art venture
    The C-Word
    Commentary
    The C-Word
    The last five years
    Interview
    The last five years
    Energies and Apparitions
    Commentary
    Energies and Apparitions
    B.159
    Issue
    B.159
    B.179
    Issue
    B.179
    The tide is in and the sea is like a blue mirror
    Commentary
    The tide is in and the sea is like a blue mirror
    B.158
    Issue
    B.158
    Dancing on shifting ground
    Article
    Dancing on shifting ground
    A Tale of Two Chiefs
    Article
    A Tale of Two Chiefs
    Colin McCahon: Five Years in Christchurch, 1948–53
    Commentary
    Colin McCahon: Five Years in Christchurch, 1948–53
    Jonathan Mane-Wheoki: teacher
    Interview
    Jonathan Mane-Wheoki: teacher
    Where in the World? Placing New Zealand in the Pacific
    Commentary
    Where in the World? Placing New Zealand in the Pacific
    Larence Shustak
    Artist Profile
    Larence Shustak
    What We Never Leave Behind
    Commentary
    What We Never Leave Behind
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    Christchurch Art Gallery Te Puna o Waiwhetū

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