Notes
B.
Bulletin
New Zealand's leading
gallery magazine
Latest Issue
B.22401 Jun 2026
Contributors
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May Day by Fred Roe
This article first appeared in The Press as 'The whole is less than the sum of painting's various parts' on 22 September 2016
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#mygreatbritten
We’re extremely pleased to have Billy Apple’s GREAT BRITTEN! exhibition at the Gallery. A celebration of the ingenuity of the bike’s builder, John Britten, that blurs the line between life and art, it’s drawing bike lovers and art lovers alike into the Gallery in droves. And it’s pretty clear that, although not everyone is up for building a superbike in their garage, lots of you really love your wheels.
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World-famous Britten superbike comes to the Gallery
The record-setting superbike that stunned the world is coming to the Gallery as part of a new exhibition by acclaimed artist Billy Apple, with a special sneak-peek event happening this Thursday 14 July.
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Spring by Joan Dukes
This article first appeared in The Press as 'Spring, a breath of fresh air' on 7 July 2016.
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Largest ever Fiona Pardington exhibition opens in Christchurch
Death, sex, flesh and the female gaze are among the many themes explored in the Gallery’s newest exhibition, Fiona Pardington: A Beautiful Hesitation.
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Abstract design by Frank Weitzel
This article first appeared in The Press as A lesser-known Kiwi talent on 22 June 2016.
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Happy National Volunteer Week!
Artfelt thanks to our amazing team of dedicated volunteers at Christchurch Art Gallery Te Puna o Waiwhetū. We love what you do.
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Chaliapin
In our leatest exhibition Bad Hair Day there is a caricature of the singer Chaliapin in the role of Don Quixote. Chaliapin visited New Zealand in 1926 but it seems likely that this drawing originates with the film Don Quixote, directed by Georg Pabst, in which Chaliapin starred.
This film opened in Christchurch in September 1934
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Mischa Levitzki
Our exhibition Bad Hair Day includes a caricature by Leo Bensemann of the Ukrainian-American pianist Mischa Levitzki (1898-1941), who toured New Zealand in 1921 and again in 1931.
Reviews suggest he was a superlative technician and a poor communicator and his popular reputation has not really lasted. Vladimir Horovitz was scathing: 'Just fingers, and you cannot listen only to fingers. There is a difference between artist and artisan. Levitzki was an artisan.'
Listen below to his performance of his own Valse de Concert, opus 1, recorded 23 May 1924.