Exhibition

I seem to have temporarily misplaced my sense of humour

Ongoing

Stretching across a vast wall at the gateway to Sydenham, Wayne Youle's new public artwork is a shadowboard, where tools for rebuilding hang alongside many familiar but precious objects.

Inspired by memories of his grandfather's workshop, Wayne has designed a huge shadowboard like those found in sheds and garages everywhere. Alongside hammers and other tools, Wayne's board contains some familiar but unexpected things – like houses, toys and wedding rings. Wayne says: 'this mural is for all those who lent their tools and their hands to all who needed help. Also to all those that lost something in the quakes, no matter what that something may have been. Don't lose your sense of humour and ability to smile.'

A collaboration between the Gallery and Gap Filler, the work is located on Colombo Street, between Carlyle and Byron streets. For a map, click on 'all images' above, or visit our Facebook page.

Thanks to David Wagner and Wagner Holdings, B&F Papers, Mike Jones and VINZ Sydenham.

From a glowing billboard on Worcester Boulevard to sculpture on the Gallery forecourt, the Outer Spaces programme ensures there's art to see not just in Christchurch Art Gallery but on it. With the Gallery closed due to the Christchurch earthquakes, we're expanding the programme into the wider city. From vivid murals on huge public walls to night-time video projections in nearby houses, Outer Spaces introduces moments of surprise, humour, colour and wonder to the post-quake Christchurch streetscape.

Related

Exhibition
Wayne Youle: Look Mum No Hands

Wayne Youle: Look Mum No Hands

Full to the brim with high energy, sharp-witted artmaking

Exhibition
Tricksters

Tricksters

Expect the rug to be pulled out from under your feet with the last exhibition in the Rolling Maul series.

Exhibition
Phantom City: Doc Ross’s Christchurch 1998–2011

Phantom City: Doc Ross’s Christchurch 1998–2011

Back projected large onto a shop window in Colombo Street, Sydenham, Doc Ross's photographs create a haunting record of this city before its dramatic seismic demise.

Exhibition
Matt Akehurst: You Are Here

Matt Akehurst: You Are Here

Pablo Picasso, Marcel Duchamp, Damien Hirst, Robert Smithson, Michelangelo... Yes, all the big names have just arrived on the Christchurch Art Gallery forecourt.

Exhibition
Jae Hoon Lee: Annapurna

Jae Hoon Lee: Annapurna

An immense and oddly surreal landscape glowing out from the Springboard over Worcester Boulevard is the latest addition to the Outer Spaces programme.

Exhibition
Julia Morison: Aibohphobia

Julia Morison: Aibohphobia

Julia Morison has turned the Gallery's squat grey bunker into a dizzying vision in dayglo green.

Exhibition
André Hemer: Things to do with paint that won't dry

André Hemer: Things to do with paint that won't dry

New Zealand artist André Hemer's colourful Worcester Boulevard intervention Things to do with paint that won't dry, appears to flow and spill down the side of the building.

Artist Profile
Wayne Youle: Look Mum No Hands

Wayne Youle: Look Mum No Hands

He’s been called a cultural prankster, an agent provocateur and a bullshit artist (that last description came from his dad, but it was bestowed – he’s pretty sure – with love). While we’re at it, add ‘serial pun merchant’ to that list; in art, as in conversation, Wayne Youle can spot a good one-liner a mile off and has never knowingly left an entendre undoubled.

Notes
Making Way for Art

Making Way for Art

Last Saturday, a dedicated crew of ten from the Student Volunteer Army in association with Gap Filler came out to improve the view of Wayne Youle's Sydenham mural, I Seem to Have Temporarily Misplaced My Sense of Humour.

Notes
Location location location

Location location location

Notes
If walls could talk...

If walls could talk...

... we'd all need ear plugs. Three smart locals talking about walls, though – that we're happy to listen to. Here they are (and cheers to Simon and Nathan for the camerawork).

Notes
What's going on in Sydenham?

What's going on in Sydenham?

Your father or grandfather probably had one. Maybe you've created one of your own. Possibly there's one on a wall at home, left there by a previous owner.

Notes
Sweeeeet Manuka Honey

Sweeeeet Manuka Honey

On it goes in Sydenham today. Tomorrow we introduce the artist. (On rollers: Chris, Sean, Simon, Scott, Nathan and Ben. And cheers Simon and John for the photos.)

Notes
Vital statistics

Vital statistics

I'm just back from Sydenham, where the big grey wall I mentioned yesterday is receiving its first layer of Resene Manuka Honey. Nothing like the sight of paint rolling out to warm an art-starved curator's heart.

Notes
Wallpower

Wallpower

What's that weird sensation? Faint, but growing stronger. A stretching, tingling, anticipatory sort of feeling. Familiar but hard to name. After all this time, it couldn't be, surely? But yes (nervously touches wood), it really does seem to be true... It's that getting-ready-to-make-a-show feeling. People, we are about to present some art.

Notes
Art Makes Me Fly

Art Makes Me Fly

Take yourself on a flight of fancy with Wayne Youle's latest exhibition Look Mum No Hands.

Exhibition
Kamala, Astral and Charlotte, Lyttelton, March 1983

Kamala, Astral and Charlotte, Lyttelton, March 1983

Laurence Aberhart's 1983 photograph of Lyttelton children is displayed on our Gloucester Street billboard.

Artist interview
Silent Patterns

Silent Patterns

When we asked Tony de Lautour to produce a new work for the Bunker—the name Gallery staff give to the small, square elevator building at the front of the forecourt on Montreal Street—he proposed a paint scheme inspired by Dazzle camouflage. Associated with the geometric near-abstraction of the vorticist movement, Dazzle was developed by British and American artists during the First World War to disguise shipping. It was a monumental form of camouflage that aimed not to hide the ship but to break up its mass visually and confuse enemies about its speed and direction. In a time before radar and sonar were developed, Dazzle was designed to disorientate German U-boat commanders looking through their periscopes, and protect the merchant fleets.

Senior curator Lara Strongman spoke with Tony de Lautour in late January 2016.

Notes
The House of Wellbeing

The House of Wellbeing

On Saturday, I spoke at the launch of a major new work of art in public space—Wayne Youle's installation The House of Wellbeing ALL WELCOME, at the CPIT Aoraki campus on Madras Street.

Collection
ALONE TIME
Wayne Youle ALONE TIME

An obsessively ordered, subversively witty re-imagining of Wayne Youle’s studio, ALONE TIME also evokes a more abstract space: the creative sanctuary any artist must carve out from everyday life for the serious business of making art. A bunker, a tree-house, a ‘room of one’s own’, it’s full to bursting with references to the humour, self-doubt and daily work ethic required to build and sustain an artistic practice – not to mention the magic wand.

(Unseen: The Changing Collection, 18 December 2015 – 19 June 2016)

Article
Sparks that fly upwards

Sparks that fly upwards

Curator Felicity Milburn remembers five years and 101 installations in a gallery without walls.

 

Exhibition
Dear John/ Welcome Back/ With Love

Dear John/ Welcome Back/ With Love

It might be old-school, but everyone likes to get a postcard, and Wayne Youle’s latest project invites visitors to communicate their Gallery experience, create their own art mail or just write a letter to their mum.

My Favourite
Peter Stichbury's NDE

Peter Stichbury's NDE

Anna Worthington chooses her favourite work from the Gallery collection.

Exhibition
Everything is Going to be Alright

Everything is Going to be Alright

Martin Creed's completely unequivocal, but also pretty darn ambiguous, work for Christchurch.

Exhibition
Cosmo

Cosmo

Once upon a time, there was a massive rabbit...

Exhibition
Michael Parekowhai: Chapman's Homer at PlaceMakers Riccarton

Michael Parekowhai: Chapman's Homer at PlaceMakers Riccarton

Christchurch's favourite bull can now be found at PlaceMakers Riccarton. That may sound a bit unusual, but these are strange times.

Exhibition
David Cook: Meet Me in the Square

David Cook: Meet Me in the Square

Cathedral Square, Centennial Pool, Lancaster Park, schoolboys, punks, nuns – a photographic journey through 1980s Christchurch.

Notes
Holloway Press 1994-2014

Holloway Press 1994-2014

Last chance to view the Holloway Press exhibition at Central Library Peterborough this week so if you are in the neighbourhood and like beautifully printed, designed and hand-crafted books then make sure you head along. 

 

 

Exhibition
Paul Johns: South Pacific Sanctuary / Peraki / Banks Peninsula

Paul Johns: South Pacific Sanctuary / Peraki / Banks Peninsula

The consideration of Japanese whale-hunting activity and ensuing protest in nearby southern waters has led to a reflection on our local whaling past, highlighting changing and divergent attitudes to animal life.

Exhibition
Proceed and Be Bold: The Pear Tree Press

Proceed and Be Bold: The Pear Tree Press

An exhibition of beautifully crafted, designed and hand-printed books from New Zealand's most renowned private press, The Pear Tree Press.

Exhibition
Max Hailstone: Book and Typographic Designer

Max Hailstone: Book and Typographic Designer

A selection of typographic designs, including books, posters and ephemera, by renowned Christchurch graphic designer Max Hailstone (1942–1997).

Exhibition
Edwards+Johann: Rebels, Knights and Other Tomorrows

Edwards+Johann: Rebels, Knights and Other Tomorrows

Combining vividly imagined photographs with sculptural elements, Christchurch-based collaborative duo Edwards+Johann present an enigmatic and playful installation laced with tension and possibility.

Exhibition
Shane Cotton: Baseland

Shane Cotton: Baseland

Christchurch audiences at last have the opportunity to experience the complexity and ambition of Cotton's latest work in this two-venue exhibition by one of the biggest names in New Zealand art.

Exhibition
Daniel Crooks: Seek Stillness in Movement

Daniel Crooks: Seek Stillness in Movement

Hectic city scenes transformed into contemplative meditations of extraordinary beauty.

Article
Quiet invasion

Quiet invasion

The idea of peppering the vestigial city centre with portraits from the collection became part of the Gallery's tenth birthday POPULATE! programme, intended to remind all of us that the collection is, indeed, still here and in good shape.

Exhibition
Burster Flipper Wobbler Dripper Spinner Stacker Shaker Maker

Burster Flipper Wobbler Dripper Spinner Stacker Shaker Maker

A family-focused exhibition powered by the excitement of seeing ordinary things transformed in unexpected ways.

Article
Shifting Lines

Shifting Lines

It's where we live: the encrusted surface of a molten planet, rotating on its own axis, circling round the star that gives our daylight. Geographically, it's a mapped-out city at the edge of a plain, bordered by sea and rising, broken geological features. Zooming in further, it's a neighbourhood, a street, a shelter – all things existing at first as outlines, drawings, plans. And it's a body: portable abode of mind, spirit, psyche (however we choose to view these things); the breathing physical location of unique identity and passage.

Exhibition
Shifting Lines

Shifting Lines

Six artists use line to investigate space and structure in unexpected ways.

Exhibition
New Zealand Illustrated: Pictorial Books from the Victorian Age

New Zealand Illustrated: Pictorial Books from the Victorian Age

A selection of lavishly illustrated books from the Victorian era relating to New Zealand landscape, Māori culture, colonial enterprise and our unique flora, fauna and birdlife.

Notes
Viva Sydenham

Viva Sydenham

It seems a lifetime ago that we combined with Gap Filler to launch the Gallery's first post-quake Outer Spaces project in Sydenham. 

Article
Drawing from Life

Drawing from Life

In the beginning art was drawing.

Artist Profile
The endless newscape: Barry Cleavin’s inkjet prints

The endless newscape: Barry Cleavin’s inkjet prints

Barry Cleavin is often, rightfully, referred to as a 'master printer' – a maestro of intaglio printing techniques including the complex tonal subtleties of aquatint, soft- and hard-ground etching and the creation of 'linear tension'. Mastering these complex techniques to achieve a command over the etching processes has required patience and fortitude over a career spanning some forty-seven years.

Article
Yvonne Todd: The Wall of Man

Yvonne Todd: The Wall of Man

A succinct ad placed in the classifieds of the North Shore Times in March 2009 attracted some forty applicants. Respondents were shown a photographic portrait of an unnamed executive, and directed towards ervon.com – artist Yvonne Todd's website – to decide whether or not they wanted to be photographed. Some still did. The unfolding story might not have been exactly what they'd expected, but all who agreed understood it would be something different. Next came the eliminations: sixteen men were chosen to be photographed; twelve made it to the final cut. The resulting images were printed at varying sizes and titled: International Sales Director, Retired Urologist, Family Doctor, Senior Executive, Hospital Director, Company Founder, Sales Executive, Chief Financial Officer, Image Consultant, Independent Manufacturing Director, Publisher, Agrichemical Spokesman. This is The Wall of Man.

Exhibition
Bodytok Quintet: The Human Instrument Archive

Bodytok Quintet: The Human Instrument Archive

An interactive installation that reveals the astonishing sounds people can make using their bodies – from lip plopping to bone clicking.

Exhibition
Glen Hayward: I don't want you to worry about me, I have met some Beautiful People

Glen Hayward: I don't want you to worry about me, I have met some Beautiful People

Real or illusory? Virtual or physical? Sculptor Glen Hayward teases out these questions in this mind-bending new sculpture, a hand-carved and painted recreation of the famous office cubicle from The Matrix.

Collection
The Saviour
Wayne Youle The Saviour

In the weeks and months that followed the devastating earthquake on 22 February 2011, many Christchurch people looked in vain for a ‘hero on a white horse’ to lead the city out of crisis. Galloping creakily to nowhere, Wayne Youle’s riderless Saviour punctures the notion of a knight in shining armour. Instead, it emphasises his belief that this city’s salvation lies in the hands of ordinary people: all those who stayed – through choice or necessity – and contributed to the recovery in countless, unsung ways.

(Unseen: The Changing Collection, 18 December 2015 – 19 June 2016)

Exhibition
Fernbank Studio: away past elsewhere

Fernbank Studio: away past elsewhere

A selection of hand-printed books from Wellington's Fernbank Studio.

Exhibition
Boyd Webb: Sleep/Sheep

Boyd Webb: Sleep/Sheep

Boyd Webb contributes a new work to the Gallery's Sterescope programme.

Exhibition
Tony Oursler: Head Knocking

Tony Oursler: Head Knocking

Credited with freeing video art from the 'tyranny of the monitor', Tony Oursler is regarded as one of the world's most influential artists in that medium.

Exhibition

Tony Oursler: Fist

Credited with freeing video art from the 'tyranny of the monitor', Tony Oursler is regarded as one of the world's most influential artists in that medium.

Exhibition
Faces from the Collection

Faces from the Collection

Treasured portraits populate empty spaces in our changing city.

Article
Christchurch Art Gallery is ten: highs and lows

Christchurch Art Gallery is ten: highs and lows

In recognition of the anniversary of the move of Christchurch's public art gallery from its former existence as the Robert McDougall in the Botanic Gardens to its new more central city location (now eerily empty), I've been asked by Bulletin's editor to recall some highs and lows of the last ten years. So here goes — and stay with me during this reflection, which takes the place of my usual foreword.

Article
Fall tension tension wonder bright burn want

Fall tension tension wonder bright burn want

Curator Felicity Milburn on Tony Oursler and the grotesque.

Artist interview
Gregor Kregar: Reflective Lullaby

Gregor Kregar: Reflective Lullaby

Justin Paton: As everyone who has seen your works at Christchurch Airport will know, you often make big sculptures with a geometric quality. Gnomes, however large, aren't the first things viewers might expect you to be interested in. What's the appeal of these figures for you?
Gregor Kregar: I'm interested reinterpreting mundane objects, shapes, situations or materials. In my large geometric works I do this by creating complex structures out of basic shapes—triangles, squares, pentagons and hexagons. And with the gnomes I am interested in how something that is usually made out of plastic or concrete and is associated with a low, kitsch aesthetic can be transformed into an arresting monumental sculpture.

Interview
It’s our party and we’ll cry if we want to

It’s our party and we’ll cry if we want to

On 10 May 2013, Christchurch Art Gallery Te Puna o Waiwhetu turns ten. Which is fantastic. But it's probably fair to say that there's a bittersweet quality to the celebrations around this particular anniversary, as it also marks two years and eleven weeks of closure for the Gallery, and catches us staring down the barrel of another two years without our home.

It's frustrating. And then some.

However, we're not going to let these little, ahem, inconveniences get in the way of our party. Populate! is our birthday programme, and it's our attempt to bring some unexpected faces and figures back to the depleted central city. Bulletin spoke to the Gallery's senior curator Justin Paton about what he really wants for the tenth birthday, what he finds funny, and what he really doesn't.

Exhibition
Roger Boyce: Painter Speaks

Roger Boyce: Painter Speaks

Grinning ventriloquist dummies are the stars of the show in Roger Boyce's Painter Speaks.

Exhibition
Face Books

Face Books

Portraits in books from the Christchurch Art Gallery Library collection.

Exhibition
Tony Oursler: Bright Burn Want

Tony Oursler: Bright Burn Want

The fantastically strange, inescapably human works of renowned video artist Tony Oursler.

Exhibition
Jess Johnson: Wurm Whorl Narthex

Jess Johnson: Wurm Whorl Narthex

New Zealand-born, Melbourne-based artist Jess Johnson makes intricate drawings and painted environments that evoke other worlds and parallel realities.

Exhibition
Gregor Kregar: Reflective Lullaby

Gregor Kregar: Reflective Lullaby

Gnomes are figures in historic folklore as well as garden ornaments. But Gregor Kregar has brought gnomes like you've never seen to 'the garden city' – staunch, shiny and more than three metres tall.

Exhibition
Camp Blood: Hand-Painted Film Posters

Camp Blood: Hand-Painted Film Posters

Drawn from the collection of Christchurch painter Roger Boyce, these promotional posters from Ghana, Africa, are movie marketing like you've never seen: lurid, vivid and emphatically hand-made.

Exhibition
Francis Upritchard: Believer

Francis Upritchard: Believer

A New Age awakening? Or just a 1960s pipe dream? Francis Upritchard's Believer is a recent addition to her expanding gallery of hippies, dreamers and gurus.

Exhibition
Sian Torrington: How you have held things

Sian Torrington: How you have held things

Wellington-based artist Sian Torrington's site-specific sculptural installation combined ideas, images and materials that related to life in post-quake Christchurch

Notes
Sian Torrington Call Out

Sian Torrington Call Out

Christchurch Art Gallery is excited to be working with Wellington-based artist Sian Torrington on a site-specific sculptural installation that will combine ideas, images and materials that relate to living in Christchurch now.

See below for a message from Sian to find out how you can get involved.

Notes
Outer Space programme sees Canterbury arts graduate exhibit work in Showhome

Outer Space programme sees Canterbury arts graduate exhibit work in Showhome

The Gallery's latest exhibition in the Outer Spaces programme, Showhome, has opened in Christchurch, featuring the disconcertingly 'perfect' works of recent University of Canterbury graduate Emily Hartley-Skudder.

Exhibition
Steve Carr: Majo

Steve Carr: Majo

Steve Carr's strangely mesmerising sound and video projection is shown after dark in an upstairs window of the old house opposite the Gallery on Worcester Boulevard.

Exhibition
Seung Yul Oh: Huggong

Seung Yul Oh: Huggong

Christchurch Art Gallery has a new offsite space, and Seung Yul Oh has filled it to bursting with his comically vast balloon sculptures.

Exhibition
Reuben Paterson: Te Pūtahitangi ō Rehua

Reuben Paterson: Te Pūtahitangi ō Rehua

Op-art patterns, expanses of glitter and Māori stories of water. They're all set in motion in this dazzling video installation by New Zealand artist Reuben Paterson.

Exhibition
Populate!

Populate!

Christchurch Art Gallery celebrates its tenth birthday with a burst of art in the city – including whopping new murals, night-time projections and sculptures where you least expect them.

Exhibition
Toshi Endo: Wolf-Cub

Toshi Endo: Wolf-Cub

The kaleidoscopic moving imagery of Christchurch artist Toshi Endo has been stripped of colour and brought to a standstill in Wolf-Cub, his contribution to Christchurch Art Gallery's Stereoscope programme.

Exhibition
A Caxton Miscellany: The Caxton Press 1933–58

A Caxton Miscellany: The Caxton Press 1933–58

Established in Christchurch in 1933 the Caxton Press became one of the most progressive publishers of contemporary New Zealand writing and dynamic modern typographical design.

Exhibition
Brenda Nightingale: Christchurch Hills 2010–2012

Brenda Nightingale: Christchurch Hills 2010–2012

Local artist Brenda Nightingale's beautifully produced, hand-stitched publication features a selection of recent watercolours based on one of Christchurch's defining features, the Port Hills

Exhibition
Stereoscope #2: Robert Hood

Stereoscope #2: Robert Hood

Two Year of the Cyclops works by Christchurch artist Rob Hood kick off the second itteration of Stereoscope at 26E Lichfield Street.

Exhibition
Stereoscope: Robin Neate

Stereoscope: Robin Neate

Christchurch artist Robin Neate's contribution to the Gallery's Stereoscope programme is drawn from his recent series of energised abstract paintings.

Exhibition
De Lautour / Greig / Hammond

De Lautour / Greig / Hammond

An exciting opportunity to see new work by leading Canterbury artists Tony de Lautour, Jason Greig and Bill Hammond

Article
A miscellany of observable illustrations

A miscellany of observable illustrations

Romantic notions of gothic leanings, the legacy of Tony Fomison, devotion to rock sub-genres and an eye to the past are familiar and sound reasons to group Tony de Lautour, Jason Greig and Bill Hammond together in one exhibition, but De Lautour / Greig / Hammond is to feature new and recent work. Could all this change? What nuances will be developed or abandoned? Will rich veins be further mined? We can only speculate and accept that even the artists concerned can't answer these questions. For the artist, every work is a new endeavour, a new beginning. What may appear to the public, the critic or the art historian as a smooth, seamless flow of images is for them an unpredictable process where the only boundaries are those that they choose to invent.

Artist interview
Shane Cotton

Shane Cotton

Back on 20 September 2011, when our public programmes team began setting up the Hagley Park Geo Dome for a talk with Shane Cotton, they put out about sixty chairs and would have been glad to fill them. After all, it was a cold night in Christchurch, the roads were rough, the Geo Dome was off the beaten track and the quake had long since broken the rhythm of the Gallery's old Wednesday night programme of public talks.

Exhibition
Shane Cotton: The Hanging Sky

Shane Cotton: The Hanging Sky

Touring Australia and New Zealand 2012–13

Exhibition
James Oram: but it’s worth it

James Oram: but it’s worth it

Manipulating found footage of the infamous 'Black Friday' sales held by American chain stores, James Oram isolates and magnifies smaller physical gestures amidst the frenzied crush.

Exhibition
Concrete Propositions

Concrete Propositions

An explosive work of art in the central city.

Exhibition
Stereoscope: Kristin Hollis

Stereoscope: Kristin Hollis

Drawings of two bottles - one of gin, one of water – grace the Montreal Street side of the Christchurch Art Gallery bunker in the latest offering in the Stereoscope series.

Exhibition
Miranda Parkes / Tjalling de Vries: Keep left, keep right

Miranda Parkes / Tjalling de Vries: Keep left, keep right

Sharing an interest in expanding the idea of abstract painting beyond its traditional borders, Miranda Parkes and Tjalling de Vries explore the creative possibilities of commercial billboards in an exhibition that combines painting and projection to obstruct and intrigue in equal measure.

Notes
Worcester Boulevard exhibition extended as publication developed

Worcester Boulevard exhibition extended as publication developed

The popularity of Reconstruction: Conversations on a City has led to the exhibition being extended until 14 October, and the development of a publication.

Exhibition
André Hemer: <del>CASS</del>

André Hemer: <del>CASS</del>

André Hemer's many-dimensioned installation for the Rolling Maul series combines painting with a range of secondary outputs to play with ideas of distance and deletion – with particular reference to a well known work from the Gallery's collection.

Exhibition
Helen Calder: Orange Up

Helen Calder: Orange Up

Helen Calder's new work, Orange Up, provides a refreshingly bold statement on the Gallery bunker using one of the powerhouses in the range of colours: orange.

Exhibition
Justene Williams: She Came Over Singing Like a Drainpipe Shaking Spoon Infused Mixers

Justene Williams: She Came Over Singing Like a Drainpipe Shaking Spoon Infused Mixers

Australian artist Justene Williams uses performance and ephemeral materials to produce a sensory overload of shapes, patterns and colours in the vibrantly theatrical video work.

Exhibition
Ruth Watson: from white darkness

Ruth Watson: from white darkness

Offering a poetic commentary on the intriguing resemblances between art and science, Ruth Watson's container-based video installation combines historical footage, text and her own Antarctic imagery.

Exhibition
Tjalling is Innocent

Tjalling is Innocent

An ambitious paste-up work by local artist Tjalling de Vries on CoCa's back wall (viewable from Worcester Boulevard), Tjalling is Innocent is an Outer Spaces project presented in association with CoCA.

Exhibition
Tony de Lautour: Unreal Estate

Tony de Lautour: Unreal Estate

Painted on found pages from real estate publications, Unreal Estate, is an artist's book published by local artist Tony de Lautour and Christchurch Art Gallery.

Exhibition
Out of Place

Out of Place

Katharina Jaeger, Chris Pole, Tim J. Veling and Charlotte Watson start with structure and consider what is possible when the normal rules no longer apply.

Notes
The inner binding now on display at the library

The inner binding now on display at the library

If you've not been down to the Central Library Peterborough yet now's a good time to do it.

Notes
(Way Out)er Spaces

(Way Out)er Spaces

We're pretty pleased with what we're achieving with our Outer Spaces programme, but it's always good to see what else is out there. And I do mean 'out there'...

Article
Laying out Foundations

Laying out Foundations

Looking broadly at the topic of local architectural heritage, Reconstruction: conversations on a city had been scheduled to open at the Gallery but will now instead show on outdoor exhibition panels along Worcester Boulevard from 23 June. Supplementing works from the collection with digital images from other collections, curator Ken Hall brings together an arresting art historical tour of the city and its environs.

Exhibition
Stereoscope #1: Robert Hood

Stereoscope #1: Robert Hood

Two Year of the Cyclops works by Christchurch artist Rob Hood kick off Stereoscope, a new Outer Spaces series housed within two black frames positioned on the street-side of the Gallery's Montreal Street bunker.

Exhibition
Here are the people and there is the steeple

Here are the people and there is the steeple

A big bright mural inspired by the challenges of rebuilding a city. Kay Rosen turns the word 'people' into the foundation for an unexpected 'steeple'.

Exhibition
Michael Parekowhai: On First Looking into Chapman’s Homer

Michael Parekowhai: On First Looking into Chapman’s Homer

Michael Parekowhai's spectacular Venice Biennale installation returns home for its first post-Biennale showing in New Zealand.

Exhibition
Hannah and Aaron Beehre: Waters Above Waters Below

Hannah and Aaron Beehre: Waters Above Waters Below

Hannah and Aaron Beehre's immersive new installation connects us with the transformative moments beneath the surface of the everyday.

Exhibition
Georgie Hill and Zina Swanson: Breathing space

Georgie Hill and Zina Swanson: Breathing space

Strength, fragility and connection are at the heart of the second Rolling Maul exhibition, which features works by Georgie Hill and Zina Swanson.

Notes
Wayne’s workshop

Wayne’s workshop

Wayne Youle ran a two-day workshop for 25 teenagers over the weekend. Students from an array of local Christchurch secondary schools were challenged to keep up with Wayne's non-stop energy... and to learn creative and design skills.

Exhibition
Sam Harrison: Render

Sam Harrison: Render

Presenting new art from Christchurch, our Rolling Maul project series begins with a remarkable exhibition of sculptures by Sam Harrison.

Artist interview
Rolling Maul

Rolling Maul

A lot of water, and Lord only knows what else, has flowed under the bridge since Justin Paton and I first hatched our plans for a fast-paced, post-quake showing of new work by local artists. Rolling Maul, so far, has been quite the antithesis of 'fast-paced', and despite our best efforts, it is yet to roll anywhere – rather it has been beset by the same delays, cancellations and frustrations as all of the Gallery's other in-house plans.

Our original concept, as outlined in B.165, was based around the use of one of Christchurch Art Gallery's ground-floor exhibition spaces, which we hoped to reoccupy as soon as they were no longer required as part of the City Council/CERA earthquake response. But as we are now only too aware, we won't be showing anything there any time soon.

 

Exhibition
Elliot Collins: For those who stay behind

Elliot Collins: For those who stay behind

Keep an eye out for the Gallery's latest Outer Spaces project around town over the next couple of weeks as poster reproductions of three paintings by Auckland artist Elliot Collins appear pasted to bollards and walls throughout the city.

Notes
Where in the world is this year's first outer space?

Where in the world is this year's first outer space?

So Wayne's wall is all done (and gloriously untagged) and Ronnie's peering out nightly over the Boulevard.

Notes
Shine on you crazy public art diamond

Shine on you crazy public art diamond

Just one last weather report, before this blog starts looking like a franchise of metservice.com...

Exhibition
Ronnie van Hout: The creation of the world

Ronnie van Hout: The creation of the world

A haunting video projection by Ronnie van Hout in the window of the old house opposite the Gallery on Worcester Boulevard.

Notes
LOVING THE BULLDOG

LOVING THE BULLDOG

You could be forgiven for thinking that Wayne Youle is giving the French Bulldog a big hug.

Exhibition
Julia Morison: Meet me on the other side

Julia Morison: Meet me on the other side

Julia Morison's evocative post-quake sculptures and 'liqueurfaction' paintings return to Christchurch for a special showing in a gallery space overlooking the inner-city 'red zone'.

Exhibition
Sara Hughes: United We Fall

Sara Hughes: United We Fall

A procession of politically charged colours

Exhibition
Scott Flanagan: Do You Remember Me Like I Do?

Scott Flanagan: Do You Remember Me Like I Do?

Including a wishing well and mirror painstakingly woven from reflective black VHS tape, Scott Flanagan's latest installation considers the surprisingly elusive nature of civic memory.

Notes
The ghost of studios past

The ghost of studios past

In preparation for the next issue of Bulletin, Gallery photographer John and I have been out photographing some of the local artists who will be taking part in Rolling Maul when we reopen.

Notes
New bunker work installed

New bunker work installed

We've just had Wayne Youle in, creating a new work for the Gallery's carpark bunker.