Chris Braddock Back-to-back Cushion. Papakura Art Gallery, Tāmaki Makaurau Auckland. Photo: Ena Kosovac
Louise Pōtiki Bryant Whakahā. Performance. Photo: Chris Randle
March to August 2025
A series of temporary installations, site activations, and performances that investigate how seemingly passive actions can resonate or become politically charged responses to the relentless pace and demands of contemporary life.
A Time of Waiting has been curated and toured by Chris Braddock, John Vea, and Stephen Cleland with support from Creative New Zealand, Auckland University of Technology, and Te Wai Ngutu Kākā Gallery, Tāmaki Makaurau Auckland. For further information please visit: ngutukaka.aut.ac.nz
Performances in this series include:
Olivia Webb: Cession Songs (part 5) Sunday 6 April, 2 - 5pm
Layne Waerea: Principles of the Treaty of Waiting Bill, second reading Saturday 17 May, 11am - 2pm
Madison Kelly and Luke Shaw: Kōrero Huna Wednesday 21 May, 7pm
Louise Pōtiki Bryant: Whakahā Wednesday 25 June, 7pm
Chris Braddock: Lessons in Waiting Saturday 26 July, 2 – 4pm
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Exhibition number:
1186
Related Events
Related reading: Performance, musical performance, Free event, A Time of Waiting
Notes
Countdown to Fifteen
Fifteen is our birthday party (guess how old we are…) and it’s less than two weeks away! It’s also the opening event for Tony de Lautour’s US V THEM, which is our big winter exhibition. We asked curator Peter Vangioni and visitor programmes coordinator Amy Marr what they’re most excited about in the incredible line-up for this grand birthday bash.
Notes
Been to some lame ‘youth’ events lately?
Now’s your chance to help create a cool event for you and your friends!
The Mix is Christchurch’s Art Gallery bi-monthly late-night event – an interactive mix of art, music, film and good people. We want to run a Mix designed, curated and for under 18s – ReMix.
Notes
Gallery Happenings: Grayson Gilmour
In early March we were lucky enough to have the incredibly talented Grayson Gilmour performing at the Gallery, supported by the equally talented Purple Pilgrims and New Dawn. I love these gigs, but there is a lot of work to be done behind the scenes to make sure that, by the time the public walk in the door, the foyer is gig ready. The process normally feels like a long, slow marathon with a sprint at the final corner. So here’s a guide to how you too can get the NZI Foyer gig-ready in five (or six) easy steps.
