Helen Calder Orange Up (detail) 2012. Reproduced courtesy of the artist. helencalder.co.nz
Helen Calder Orange Up (detail) 2012. Reproduced courtesy of the artist. helencalder.co.nz
This exhibition is now closed
Helen Calder's new work, Orange Up, provides a refreshingly bold statement on the Gallery bunker using one of the powerhouses in the range of colours: orange.
Christchurch artist Helen Calder has produced a new work titled Orange Up for Stereoscope, part of Christchurch Art Gallery's Outer Spaces programme. Located on the Montreal Street side of the bunker in front of the Gallery, Orange Up, with its pure abstract orange forms, provides a refreshing and vibrant contrast to the bunker's grey stone walls. A pure field of bright orange sits harmoniously alongside an orange deflated balloon – yet you get the sense the party is far from over with this work. Orange Up has a warmth and dynamism that projects out into the street. It is a bold statement using one of the powerhouses in the colour spectrum: orange.
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Date:
June – August 2013 -
Location:
26E Lichfield Street -
Exhibition number:
922 -
Part of
Related reading: Outer Spaces
Exhibition
Boyd Webb: Sleep/Sheep
26 June – 20 September 2013
Boyd Webb contributes a new work to the Gallery's Sterescope programme.
Exhibition
Stereoscope: Kristin Hollis
26 June – 23 July 2013
Drawings of two bottles - one of gin, one of water – grace the Montreal Street side of the Christchurch Art Gallery bunker in the latest offering in the Stereoscope series.
Exhibition
Stereoscope #1: Jason Greig
18 July – 29 August 2012
Jason Greig's two larger-than-life oval portraits are drawn from the key characters, Jekyll and Hyde in Robert Louis Stevenson's classic novel of 1886, Strange Case of Dr Jekyll and Mr Hyde.
Exhibition
Stereoscope #1: Robert Hood
6 June – 18 July 2012
Two Year of the Cyclops works by Christchurch artist Rob Hood kick off Stereoscope, a new Outer Spaces series housed within two black frames positioned on the street-side of the Gallery's Montreal Street bunker.
Notes
Black, White, and Orange (Pt. II)
What are these black metal frames doing stacked in a back corridor of Christchurch Art Gallery?
Notes
Round up
Life has been very hectic here at Christchurch Art Gallery over the past few weeks so here's a quick round up of our latest Outer Spaces offerings.
Notes
Year of the Cyclops
Keep an eye out for two new works by Rob Hood titled 'Year of the Cyclops' which have recently appeared on the bunker in front of the Gallery on Montreal Street.
Notes
Holloway Press 1994-2014
Last chance to view the Holloway Press exhibition at Central Library Peterborough this week so if you are in the neighbourhood and like beautifully printed, designed and hand-crafted books then make sure you head along.
Notes
Sian Torrington Call Out
Christchurch Art Gallery is excited to be working with Wellington-based artist Sian Torrington on a site-specific sculptural installation that will combine ideas, images and materials that relate to living in Christchurch now.
See below for a message from Sian to find out how you can get involved.
Notes
Outer Space programme sees Canterbury arts graduate exhibit work in Showhome
The Gallery's latest exhibition in the Outer Spaces programme, Showhome, has opened in Christchurch, featuring the disconcertingly 'perfect' works of recent University of Canterbury graduate Emily Hartley-Skudder.
Notes
Worcester Boulevard exhibition extended as publication developed
The popularity of Reconstruction: Conversations on a City has led to the exhibition being extended until 14 October, and the development of a publication.
Notes
The inner binding now on display at the library
If you've not been down to the Central Library Peterborough yet now's a good time to do it.
Notes
(Way Out)er Spaces
We're pretty pleased with what we're achieving with our Outer Spaces programme, but it's always good to see what else is out there. And I do mean 'out there'...
Notes
The ghost of studios past
In preparation for the next issue of Bulletin, Gallery photographer John and I have been out photographing some of the local artists who will be taking part in Rolling Maul when we reopen.
Interview
Silent Patterns
When we asked Tony de Lautour to produce a new work for the Bunker—the name Gallery staff give to the small, square elevator building at the front of the forecourt on Montreal Street—he proposed a paint scheme inspired by Dazzle camouflage. Associated with the geometric near-abstraction of the vorticist movement, Dazzle was developed by British and American artists during the First World War to disguise shipping. It was a monumental form of camouflage that aimed not to hide the ship but to break up its mass visually and confuse enemies about its speed and direction. In a time before radar and sonar were developed, Dazzle was designed to disorientate German U-boat commanders looking through their periscopes, and protect the merchant fleets.
Senior curator Lara Strongman spoke with Tony de Lautour in late January 2016.
Article
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Curator Felicity Milburn remembers five years and 101 installations in a gallery without walls.
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