Robert Hood, from the Year of the Cyclops series, 2011. Scanned prints of folded collages. Courtesy of the artist
Robert Hood, from the Year of the Cyclops series, 2011. Scanned prints of folded collages. Courtesy of the artist
This exhibition is now closed
Two Year of the Cyclops works by Christchurch artist Rob Hood kick off Stereoscope, a new Outer Spaces series housed within two black frames positioned on the street-side of the Gallery's Montreal Street bunker.
With an absurdist humour, Hood repurposes photographs culled from art and fashion magazines, creating striking new images that confuse and compel the eye.
Exhibition number 906
-
Date:
6 June – 18 July 2012 -
Location:
Forecourt -
Part of
Related reading: Outer Spaces
Exhibition
Stereoscope #2: Jason Greig
11 February – 1 April 2013
Jason Greig's two larger-than-life oval portraits are drawn from the key characters, Jekyll and Hyde in Robert Louis Stevenson's classic novel of 1886, Strange Case of Dr Jekyll and Mr Hyde.
Exhibition
Tricksters
22 December 2012 – 27 January 2013
Expect the rug to be pulled out from under your feet with the last exhibition in the Rolling Maul series.
Exhibition
Stereoscope: Robin Neate
14 December 2012 – 11 February 2013
Christchurch artist Robin Neate's contribution to the Gallery's Stereoscope programme is drawn from his recent series of energised abstract paintings.
Exhibition
Stereoscope #2: Robert Hood
14 December 2012 – 11 February 2013
Two Year of the Cyclops works by Christchurch artist Rob Hood kick off the second iteration of Stereoscope at 26E Lichfield Street.
Exhibition
Helen Calder: Orange Up
June – August 2013
Helen Calder's new work, Orange Up, provides a refreshingly bold statement on the Gallery bunker using one of the powerhouses in the range of colours: orange.
Exhibition
Stereoscope #1: Jason Greig
18 July – 29 August 2012
Jason Greig's two larger-than-life oval portraits are drawn from the key characters, Jekyll and Hyde in Robert Louis Stevenson's classic novel of 1886, Strange Case of Dr Jekyll and Mr Hyde.
Notes
Holloway Press 1994-2014
Last chance to view the Holloway Press exhibition at Central Library Peterborough this week so if you are in the neighbourhood and like beautifully printed, designed and hand-crafted books then make sure you head along.
Notes
Sian Torrington Call Out
Christchurch Art Gallery is excited to be working with Wellington-based artist Sian Torrington on a site-specific sculptural installation that will combine ideas, images and materials that relate to living in Christchurch now.
See below for a message from Sian to find out how you can get involved.
Notes
Outer Space programme sees Canterbury arts graduate exhibit work in Showhome
The Gallery's latest exhibition in the Outer Spaces programme, Showhome, has opened in Christchurch, featuring the disconcertingly 'perfect' works of recent University of Canterbury graduate Emily Hartley-Skudder.
Notes
Worcester Boulevard exhibition extended as publication developed
The popularity of Reconstruction: Conversations on a City has led to the exhibition being extended until 14 October, and the development of a publication.
Notes
The inner binding now on display at the library
If you've not been down to the Central Library Peterborough yet now's a good time to do it.
Notes
(Way Out)er Spaces
We're pretty pleased with what we're achieving with our Outer Spaces programme, but it's always good to see what else is out there. And I do mean 'out there'...
Notes
The ghost of studios past
In preparation for the next issue of Bulletin, Gallery photographer John and I have been out photographing some of the local artists who will be taking part in Rolling Maul when we reopen.
Interview
Silent Patterns
When we asked Tony de Lautour to produce a new work for the Bunker—the name Gallery staff give to the small, square elevator building at the front of the forecourt on Montreal Street—he proposed a paint scheme inspired by Dazzle camouflage. Associated with the geometric near-abstraction of the vorticist movement, Dazzle was developed by British and American artists during the First World War to disguise shipping. It was a monumental form of camouflage that aimed not to hide the ship but to break up its mass visually and confuse enemies about its speed and direction. In a time before radar and sonar were developed, Dazzle was designed to disorientate German U-boat commanders looking through their periscopes, and protect the merchant fleets.
Senior curator Lara Strongman spoke with Tony de Lautour in late January 2016.
Article
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Curator Felicity Milburn remembers five years and 101 installations in a gallery without walls.
My Favourite
Peter Stichbury's NDE
Anna Worthington chooses her favourite work from the Gallery collection.