Reuben Paterson Te Pūtahitanga ō Rehua 2005. DVD. Collection of Christchurch Art Gallery Te Puna o Waiwhetū, purchased 2009. Reproduced courtesy of the artist
Reuben Paterson Te Pūtahitanga ō Rehua 2005. DVD. Collection of Christchurch Art Gallery Te Puna o Waiwhetū, purchased 2009. Reproduced courtesy of the artist
This exhibition is now closed
Op-art patterns, expanses of glitter and Māori stories of water. They're all set in motion in this dazzling video installation by New Zealand artist Reuben Paterson.
It took many jars of glitter to make the backdrop for Reuben Paterson's digital animation. But the most important material in this exhibition is light – projected light that hits the huge glitter screen in dazzling op-art patterns. Drawn from the collection of Christchurch Art Gallery, Paterson's video was partly inspired by traditional Māori stories of water, stars, cleansing and transcendence. Turning, splitting, spiraling and budding across a screen five metres wide, Reuben Paterson's Te Pūtahitangi ō Rehua conjures a space of infinite depth and endless change. (This exhibition runs concurrently with Seung Yul Oh's spectacular balloon sculpture Huggong, just a short walk away in the C1 building on Tuam Street.)
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Date:
21 March – 24 April 2013 -
Location:
212 Madras Street -
Exhibition number:
937 -
Part of
Related reading: Digital, Outer Spaces
Exhibition
Reuben Paterson: The Golden Bearing
30 October 2021 – 30 January 2022
Share a moment of magic and possibility under glittering golden leaves.
Exhibition
Reuben Paterson: The End
Ongoing
Reuben Paterson's sparkling elevator installation offers an unexpected space for contemplation and connection.
Exhibition
Seung Yul Oh: Huggong
21 March – 24 April 2013
Christchurch Art Gallery has a new offsite space, and Seung Yul Oh has filled it to bursting with his comically vast balloon sculptures.
Notes
Glittering
When it comes to posting comprehensive pictures of your new exhibitions online, opinion is divided.
Notes
Holloway Press 1994-2014
Last chance to view the Holloway Press exhibition at Central Library Peterborough this week so if you are in the neighbourhood and like beautifully printed, designed and hand-crafted books then make sure you head along.
Notes
Sian Torrington Call Out
Christchurch Art Gallery is excited to be working with Wellington-based artist Sian Torrington on a site-specific sculptural installation that will combine ideas, images and materials that relate to living in Christchurch now.
See below for a message from Sian to find out how you can get involved.
Notes
Outer Space programme sees Canterbury arts graduate exhibit work in Showhome
The Gallery's latest exhibition in the Outer Spaces programme, Showhome, has opened in Christchurch, featuring the disconcertingly 'perfect' works of recent University of Canterbury graduate Emily Hartley-Skudder.
Notes
Worcester Boulevard exhibition extended as publication developed
The popularity of Reconstruction: Conversations on a City has led to the exhibition being extended until 14 October, and the development of a publication.
Notes
The inner binding now on display at the library
If you've not been down to the Central Library Peterborough yet now's a good time to do it.
Notes
(Way Out)er Spaces
We're pretty pleased with what we're achieving with our Outer Spaces programme, but it's always good to see what else is out there. And I do mean 'out there'...
Notes
The ghost of studios past
In preparation for the next issue of Bulletin, Gallery photographer John and I have been out photographing some of the local artists who will be taking part in Rolling Maul when we reopen.
Interview
The World is an Abstracting Machine
Australian artists David Haines and Joyce Hinterding live and work in the Blue Mountains, New South Wales. Working in a collaborative partnership as Haines & Hinterding, they explore the unseen energies that surround us through an artistic practice that incorporates science, the occult and philosophy. Bulletin editor David Simpson spoke to the artists in October 2016.
Interview
Silent Patterns
When we asked Tony de Lautour to produce a new work for the Bunker—the name Gallery staff give to the small, square elevator building at the front of the forecourt on Montreal Street—he proposed a paint scheme inspired by Dazzle camouflage. Associated with the geometric near-abstraction of the vorticist movement, Dazzle was developed by British and American artists during the First World War to disguise shipping. It was a monumental form of camouflage that aimed not to hide the ship but to break up its mass visually and confuse enemies about its speed and direction. In a time before radar and sonar were developed, Dazzle was designed to disorientate German U-boat commanders looking through their periscopes, and protect the merchant fleets.
Senior curator Lara Strongman spoke with Tony de Lautour in late January 2016.
My Favourite
Peter Stichbury's NDE
Anna Worthington chooses her favourite work from the Gallery collection.