Exhibitions
Events
On display
Global Voices Choir - Please note 7pm start
Musical Performance
Past event
Christchurch Art Gallery Te Puna o Waiwhetū
Free
Global Voices, a four-part a capella Christchurch choir, make a welcome return to the Gallery.
Their repertoire draws from folk, indigenous, spiritual and contemporary traditions, and includes music from Eastern Europe, Africa, the Pacific, Aotearoa New Zealand and more. The 30-person choir is directed by Helen Charlton, a leading Christchurch singing teacher, choral conductor and nationally-recognised soprano.
Related reading: Performance, world music, Choir, Music, Gigs at the Gallery
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Remix Committee: We Need You!
We are looking for a small group of passionate taste-makers to join our ReMix Committee. Come and ensure YOUR voice is represented at Christchurch Art Gallery by working with our team to plan an event (and other activities) that is all about, and for, young people. We don’t want to tell you what you might like, we want you to tell us! You pick the theme, you pick the bands, you pick the performers, you pick the film, you pick the speakers.
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Countdown to Fifteen
Fifteen is our birthday party (guess how old we are…) and it’s less than two weeks away! It’s also the opening event for Tony de Lautour’s US V THEM, which is our big winter exhibition. We asked curator Peter Vangioni and visitor programmes coordinator Amy Marr what they’re most excited about in the incredible line-up for this grand birthday bash.
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Been to some lame ‘youth’ events lately?
Now’s your chance to help create a cool event for you and your friends!
The Mix is Christchurch’s Art Gallery bi-monthly late-night event – an interactive mix of art, music, film and good people. We want to run a Mix designed, curated and for under 18s – ReMix.
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Gallery Happenings: Grayson Gilmour
In early March we were lucky enough to have the incredibly talented Grayson Gilmour performing at the Gallery, supported by the equally talented Purple Pilgrims and New Dawn. I love these gigs, but there is a lot of work to be done behind the scenes to make sure that, by the time the public walk in the door, the foyer is gig ready. The process normally feels like a long, slow marathon with a sprint at the final corner. So here’s a guide to how you too can get the NZI Foyer gig-ready in five (or six) easy steps.
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What's the difference between a piano and an onion?
Answer: No one cries when you chop up a piano.
Apparently that's only the third worst piano joke of all time...
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Getting Older - Flying Nun
November sees the 30th anniversary of my favourite record label, Flying Nun Records.
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Playing to the Faithful
The 2011 Christchurch Arts Festival has been full of highlights, from theatre to dance to the visual arts. However, it's been the music that has made the biggest impression on me.
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Number 1 Evil, Number 2 Evil, Number 3 Evil…
Finally, the chance to listen to some loud rock music!
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The Satara Player by Petrus van der Velden
Things are not always what they seem. What looks like the result of an artistic foray into exotic lands is, in fact, an 1894 portrait of a Christchurch busker who posed in the studio of Petrus van der Velden.
Commentary
Laurence Aberhart
New Zealand artist Laurence Aberhart is internationally regarded for his photographs of unpeopled landscapes and interiors. He photographs places redolent with the weight of time, which he captures with his century-old large-format camera and careful framing. But he’s always taken more spontaneous photographs of people too, particularly in the years he lived in Christchurch and Lyttelton (1975–83) when he photographed his young family, his friends and occasionally groups of strangers. ‘If I lived in a city again,’ he says, ‘I would photograph people. One of the issues is that I even find it difficult to ask people whether I can photograph a building, so to ask to photograph them – I’m very reticent. I also know that after a number of minutes of waiting for me to set cameras up and take exposure readings and so on, people can get rather annoyed. So it’s not a conscious thing, it’s more just an accident of the way I photograph.’