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L’Art Décoratif Théâtral Moderne

A new exhibition of stage and costume designs by Russian avant-garde artists Natal'ya Goncharova and Mikhail Larionov opens this month.

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My Sister My Self by Michael Parekowhai

My Sister My Self by Michael Parekowhai

This article first appeared with the headline Top-stair sculpture in The Press on 30 April 2008.

If you've done your first year art history, you're probably familiar with the story of How Sculpture Fell from Grace.

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We won the top honours at the 2010 New Zealand Museums Awards!

We won the top honours at the 2010 New Zealand Museums Awards!

It's official, we won top honours in the Exhibition Excellence category at the 2010 New Zealand Museums Awards in New Plymouth last night.

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Kinetic sculptures installed in foyer of Christchurch Art Gallery

Kinetic sculptures installed in foyer of Christchurch Art Gallery

Two kinetic sculptures from the forthcoming exhibition Andrew Drummond: Observation / Action / Reflection were installed in the foyer last week.

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Rita Angus

Rita Angus

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Provocations: The work of Christine Webster

Provocations: The work of Christine Webster

Complex, theatrical and fearless, the unsettling photography of renowned UK-based New Zealand artist Christine Webster will go on display next month.

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Joyce Campbell: LA Botanical and Last Light

Joyce Campbell: LA Botanical and Last Light

From this weekend, two bodies of work by New Zealand artist Joyce Campbell will be on display in the Gallery.

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Cleaning Jacksons

Cleaning Jacksons

Gallery conservator Edward Sakowski describes several years work making Petrus van der Velden's painting Jacksons, Otira ready for exhibition. The painting was purchased at auction in London.

This procedure was also described in issue 157 of Bulletin.

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Shadow play

Shadow play

This article first appeared as 'Ghosts in sunglasses' in The Press on 8 October 2008

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Kamala and Charlotte in the grounds of the Lodge, Tawera, Oxford, 1981, by Laurence Aberhart

Kamala and Charlotte in the grounds of the Lodge, Tawera, Oxford, 1981, by Laurence Aberhart

This article first appeared in The Press on 9 July 2008

It is adapted from an essay in the book Laurence Aberhart, published by Victoria University Press in partnership with City Gallery, Wellington.

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