Notes

Notes
Ascension in Venice

Ascension in Venice

I've long admired the work of Anish Kapoor, an Indian-born British artist, who shows all over the world. I first saw a work of his in a touring show of modern British art around 1984 at Queensland Art Gallery where I was working at the time (I think it went to the former National Art Gallery in Wellington as well - those were the days). Fine powder in primary colours covered abstracted shapes and fanned out slightly on the surface of the floor; it was quite wonderful.

Notes
Subsidence

Subsidence

The whole of New Zealand gets that sinking feeling, in this recent addition to the collection (it's the sketchbook for this), by Tony de Lautour.

Notes
Freeville school misses...

Freeville school misses...

Ron Mueck, Joanna Langford's Up from the plainlands, Andrew Drummond's Counter Rotating and Earthing Device, and Max Gimblett.

Notes
e-poetry

e-poetry

This term the Gallery is running Ringmaster: Stories from Christchurch Art Gallery, a writing competition for 8 to 18 year olds.

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More crucial, not less

More crucial, not less

'I think in periods of crisis and directionlessness the arts are more crucial, not less.'

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Sutton high-fives McCahon

Sutton high-fives McCahon

Nothing made it into a W.A. Sutton painting by accident, and the white line that rises diagonally through the sky in Plantation Series II is no exception.

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Hopeful green stuff

Hopeful green stuff

'The smallest sprout shows there really is no death' declared Walt Whitman in his 1855 lyrical rampage Song of Myself.

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A hotbed of talent

A hotbed of talent

It's rewarding to see some of our staff also becoming successful artists.

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It's coming here

It's coming here

Yes it is.

Notes
Seeing all my favourite artworks again...

Seeing all my favourite artworks again...

'Seeing them is like visiting old friends' - John from Cashmere.

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