Kā Kaupapa o te Wā
What’s On
Edith Collier: Early New Zealand Modernist
A rare opportunity to view the work of one of Aotearoa New Zealand’s most adventurous and experimental modernist artists.
Made in the Pacific: A Collection of Tāoga
A selection of Pacific tāoga from the Canterbury Museum in conversation with contemporary artworks that highlight the continued strength in culture and traditional art forms.
Mark Adams: A Survey | He Kohinga Whakaahua
A comprehensive survey spanning the artist's career.
E tuwhera ana te wharetoi i kā rā e 7 o te wiki, 10am - 5pm
Ka tuwhera ki te 9pm i kā pō Wenerei
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Uruka utukore, ahokore utukore
Free entry, free wifi
Notes
Blurred Vision
It's not really the best day for viewing the artworks in our Outer Spaces programmes - let alone the Transit of Venus! But here are some pics of some of the artworks that are close to home, with more than a dusting of snow on them. Keep warm people!
Notes
Twice in a lifetime opportunity
Miss it and you'll have to wait till 10 December 2117 for the next one.
Notes
To infinity...
A while ago I posted about the nature of the spam received in the Bulletin inbox and the way it has developed over time. Recently it seems to have changed again, this time shifting from the narcotic or the pornographic to the just plain surreal.
Notes
Waterworks
The waters that infiltrate Hannah and Aaron Beehre's new installation at our NG space are mysterious and poetic, owing more to mythmaking than reality.
Notes
Queen Elizabeth II's Diamond Jubilee
When the SS Gothic docked in Auckland on 23 December 1953 with the Queen and Prince Philip on board, New Zealand went completely mental.
Director's Foreword
Director’s Foreword
Christchurch City Council’s draft annual plan for 2012–13 is currently out for public consultation. Contained within it are proposals for the repair or rebuilding of ten major community facilities, one of which is this Gallery. In preparation for this consultation we, with our project manager, submitted a detailed proposal setting out what we believe to be the best way to repair our building. I am pleased that Council agreed with our recommendations, and my hope now is that they will be adopted.
Article
Laying out Foundations
Looking broadly at the topic of local architectural heritage, Reconstruction: conversations on a city had been scheduled to open at the Gallery but will now instead show on outdoor exhibition panels along Worcester Boulevard from 23 June. Supplementing works from the collection with digital images from other collections, curator Ken Hall brings together an arresting art historical tour of the city and its environs.
Interview
A Dark and Empty Interior
In B.167 senior curator Justin Paton documented his walk around the perimeter of Christchurch's red zone, and we featured the empty Rolleston plinth outside Canterbury Museum at the end of Worcester Boulevard. In this edition, director Jenny Harper interviews English sculptor Antony Gormley, who successfully animated another vacant central-city plinth—the so-called Fourth Plinth in Trafalgar Square, London. Gormley filled the plinth with 2,400 people, who occupied it for one hour each, night and day, for 100 days. Here, Jenny asks him about his practice, the value of the figurative tradition and whether he has any advice for Christchurch.