Bill Sutton (1917-2000) discusses 'Feather stoles for sale' (Riccarton High School collection), 'Te Tihi o Kahukura And Sky, I' (Collection of Christchurch Art Gallery Te Puna o Waiwhetu) and 'Plantation Series No.5' (Collection of Mair Astley Holdings).
'The Bruce is a route, it’s a river; it’s a place my grandfather, a West Coast MP, used to walk, east and west. If there was no coach, he’d go up the Bruce and down the whatever. His diary is always taking about up the Bruce or down the Bruce.' —Sir Tipene O’Regan
(He Rau Maharataka Whenua: A Memory of Land, 17 September 2016 – 18 February 2017)
Exquisite Treasure Revealed
Canterbury Museum holds two albums compiled by Diamond Harbour artist Margaret Stoddart. The older of the two, containing images featured in this Bulletin, and itself currently exhibited in the Gallery, covers the period 1886–96. The album is handsomely bound in maroon, and stamped M.O.S. in gold. It contains a sort of travelogue by way of black and white photographs set amongst decorative painting, mostly of native flora, with some locality and date information.
In the Vast Emptiness
The Canterbury landscape as captured by twentieth century painters.
Leo Bensemann was one of the most respected figures in the Christchurch arts scene, and played a pivotal role in influential arts collective The Group. Always something of an odd-man-out, he produced a large body of work across several different disciplines before his death in 1986. In an attempt to get a fuller picture of the man himself, Gallery director Jenny Harper spoke to two artists who knew him well, John Coley and Quentin MacFarlane.