Max Gimblett Untitled (detail) 2005. Pencil and ink
Max Gimblett Untitled (detail) 2005. Pencil and ink
Max Gimblett Untitled 2005. Pencil and ink
This exhibition is now closed
Portraits in books from the Christchurch Art Gallery Library collection.
People are the focus in an exhibition of portraits by historical and contemporary artists from the Christchurch Art Gallery Library collection. The books include portraits of intimate acquaintances as well as strangers on the street. Artists as varied as Edward Burne-Jones, Pablo Picasso, Colin McCahon, Eileen Mayo, Max Gimblett and Richard Killeen are included. Faces are portrayed up-close and personal while full-length portraits depict people within domestic and landscape settings. Face Books presents an eclectic mix of portraits and represents a wide range of artistic approaches to portraiture.
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Date:
10 May – 7 June 2013 -
Curator:
Peter Vangioni -
Exhibition number:
949 -
Part of
Related reading: Outer Spaces
Exhibition
A Caxton Miscellany: The Caxton Press 1933-58
13 February – 17 March 2013
Established in Christchurch in 1933 the Caxton Press became one of the most progressive publishers of contemporary New Zealand writing and dynamic modern typographical design.
Exhibition
Pressed Letters: Fine Printing in New Zealand Since 1975
30 August – 11 October 2012
An exhibition presenting some of the finest examples of letterpress printing produced in New Zealand from 1975 to the present.
Interview
Talking Bensemann
Leo Bensemann was one of the most respected figures in the Christchurch arts scene, and played a pivotal role in influential arts collective The Group. Always something of an odd-man-out, he produced a large body of work across several different disciplines before his death in 1986. In an attempt to get a fuller picture of the man himself, Gallery director Jenny Harper spoke to two artists who knew him well, John Coley and Quentin MacFarlane.
Notes
Holloway Press 1994-2014
Last chance to view the Holloway Press exhibition at Central Library Peterborough this week so if you are in the neighbourhood and like beautifully printed, designed and hand-crafted books then make sure you head along.
Notes
Sian Torrington Call Out
Christchurch Art Gallery is excited to be working with Wellington-based artist Sian Torrington on a site-specific sculptural installation that will combine ideas, images and materials that relate to living in Christchurch now.
See below for a message from Sian to find out how you can get involved.
Notes
Outer Space programme sees Canterbury arts graduate exhibit work in Showhome
The Gallery's latest exhibition in the Outer Spaces programme, Showhome, has opened in Christchurch, featuring the disconcertingly 'perfect' works of recent University of Canterbury graduate Emily Hartley-Skudder.
Notes
Worcester Boulevard exhibition extended as publication developed
The popularity of Reconstruction: Conversations on a City has led to the exhibition being extended until 14 October, and the development of a publication.
Notes
The inner binding now on display at the library
If you've not been down to the Central Library Peterborough yet now's a good time to do it.
Notes
(Way Out)er Spaces
We're pretty pleased with what we're achieving with our Outer Spaces programme, but it's always good to see what else is out there. And I do mean 'out there'...
Notes
The ghost of studios past
In preparation for the next issue of Bulletin, Gallery photographer John and I have been out photographing some of the local artists who will be taking part in Rolling Maul when we reopen.
Interview
Silent Patterns
When we asked Tony de Lautour to produce a new work for the Bunker—the name Gallery staff give to the small, square elevator building at the front of the forecourt on Montreal Street—he proposed a paint scheme inspired by Dazzle camouflage. Associated with the geometric near-abstraction of the vorticist movement, Dazzle was developed by British and American artists during the First World War to disguise shipping. It was a monumental form of camouflage that aimed not to hide the ship but to break up its mass visually and confuse enemies about its speed and direction. In a time before radar and sonar were developed, Dazzle was designed to disorientate German U-boat commanders looking through their periscopes, and protect the merchant fleets.
Senior curator Lara Strongman spoke with Tony de Lautour in late January 2016.
My Favourite
Peter Stichbury's NDE
Anna Worthington chooses her favourite work from the Gallery collection.
Article
Sparks that fly upwards
Curator Felicity Milburn remembers five years and 101 installations in a gallery without walls.