Exhibitions
Events
On display
Merata: How Mum Decolonised the Screen
Film
Past event
Philip Carter Family Auditorium
Free
See this extraordinary film about Merata Mita (Ngāti Pikiao, Ngāi Te Rangi), a true pioneer of Indigenous cinema who changed ideas about the place of women in filmmaking.
“The revolution isn’t just running out with a gun. If a film I make causes indigenous people to feel stronger about themselves, then I’m achieving something worthwhile for the revolution.” (Merata Mita)
Directed by Mita’s son, Heperi Mita, this documentary details her work as a filmmaker interrogating political issues arising from the colonisation of Aotearoa, and her feature films that explore te ao Māori. Merata shows how Mita’s filmmaking intersected with the lives of her children and Indigenous filmmakers globally, and features rare archival footage dating back to 1977. Through the process of making the film, which shows Mita through the eyes of her children, director Heperi Mita more fully discovers his mother the filmmaker he recently lost. (2018, 95 mins)
Take this opportunity to see Merata Mita’s stunning portrait by Kevin Capon in Te Wheke: Pathways Across Oceania.
Related reading: Film, Māori
Exhibition
Te Wheke: Pathways Across Oceania
3 July 2022
Experience the Gallery’s collection from the perspective of our place in Te Moana-nui-a-Kiwa, the Pacific Ocean.
Collection
Kevin Capon Merata - Film Maker
Kevin Capon and Carol Te Teira were in their mid-twenties when they set off from Ōtautahi / Christchurch in an old Thames van to photograph forty artists throughout Aotearoa New Zealand. “We were out on an adventure to meet people we thought were doing interesting things and to immerse ourselves into the land.” Filmmaker Merata Mita had finished her documentary Patu! and was working towards her feature film Mauri. Capon draws a connection between Māori and whenua (land): “The camera lens would move slowly over their skin like a slow-motion aerial landscape and I would only get a brief glimpse of them at the time of clicking the shutter.”
(Te Wheke, 2020)
Product
Te Wheke: Pathways Across Oceania
Ken Hall, Nathan Pohio, Felicity Milburn, Lara Strongman and Peter Vangioni, with Stephanie Oberg
$19.99
Event
Artist Pick: My Winnipeg
A movie selection from artist Ilish Thomas. Fact, fantasy and memory are woven seamlessly together in this portrait of film-maker Guy Maddin's home town of Winnipeg, Manitoba.
Exhibition
Māori Moving Image ki Te Puna o Waiwhetū
An exhibition championing film, animation and video art made by several generations of Māori artists.
Commentary
Curating Oceania
The idea for an exhibition of Oceanic art originated from the Royal Academy itself, proposed in 2012 by its then artistic director Kathleen Soriano, an Australian. The exhibition was imagined to fit within the Academy’s occasional programme of ‘civilisation’ or ‘world art’ exhibitions, inaugurated in 1996 with the ground-breaking Africa: Art of a Continent, and followed by exhibitions such as Aztecs (2002), China (2005), Byzantium (2009) and others. These exhibitions sat among the gallery’s more usual fare of historical European, modern and contemporary art.
Interview
Looking at Forty Years of Māori Moving Image Practice
Māori Moving Image: An Open Archive is co-curated by Bridget Reweti and Melanie Oliver. The following text is a conversation between the two curators around co-curating, archives and Māori moving image practice.
Commentary
Te Āhua o te Hau ki te Papaioea
The ‘Operation 8’ anti-terror raids in October of 2007 were the culmination of a police investigation that led to the raiding of homes across New Zealand. The raids were conducted after an extended period of surveillance, which was enabled through use of the 2002 Terrorism Suppression Act. In 2013 the Independent Police Conduct Authority found that police had “unnecessarily frightened and intimidated” people during the raids.
Notes
Māori video artists on display in Christchurch
Works by more than twenty Māori moving image artists will be on display at Christchurch Art Gallery Te Puna o Waiwhetū in August.
Exhibition
Māori Moving Image: An Open Archive
This dynamic exhibition explores the history of Māori artists who have used animation, film and video as a medium.
Exhibition
Maureen Lander: Flat-pack Whakapapa
An installation of hand-woven harakeke speaks of the contemporary Māori experience
Commentary
Bringing the Soul
As an eleven-year-old boy from Whāngarei, sent to live in Yaldhurst with my aunt in the late seventies, Christchurch was a culture shock. Arriving in New Zealand’s quintessential ‘English city’, I remember well the wide landscapes and manicured colonial built environment. It was very pretty but also very monocultural, with no physical evidence of current or former Māori occupation or cultural presence, or at least none that I could appreciate at that time.
Exhibition
The Devil's Blind Spot: Recent Strategies in New Zealand Photography
Recent photography by an emerging generation of New Zealand artists.
Exhibition
Ship Songs
A small but poetic exhibition looking at early European and Māori representations of seafaring vessels, with the Charlotte Jane as a focal point.
Exhibition
Kōwhaiwhai
Five significant works of art that look to traditional Māori architecture to inform modernist and contemporary Māori art practice.
Exhibition
He Rau Maharataka Whenua: A Memory of Land
Canterbury modernist landscape painting from the collections of Te Puna o Waiwhetū Christchurch Art Gallery, poignantly revised from within a Kāi Tahu perspective