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    HomeCollectionPlantation Series II
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    Bill Sutton

    Aotearoa New Zealand, b.1917, d.2000

    Read more about this artist on Wikipedia

    Plantation Series II

    • 1986
    • Oil on canvas
    • Purchased with assistance from the Olive Stirrat Bequest, 1986
    • 1000 x 1910mm
    • 86/64

    Tags: clouds, hills, horizon line, landscapes (representations), natural landscapes

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    About the artist

    Sutton, William Alexander (Aotearoa New Zealand, b.1917, d.2000)

     

    Check the library catalogue for books about this artist

     

    Read more about this artist on Wikipedia

    Exhibition History

    William Sutton Te Tihi o Kahukura and Sky, I 1976. Oil on canvas. Collection of Christchurch Art Gallery Te Puna o Waiwhetū, purchased 1980
    Gathering Clouds
    Doris Lusk Canterbury Plains from Cashmere Hills 1952. Oil on canvas board. Collection of Christchurch Art Gallery Te Puna o Waiwhetū 1974
    In the Vast Emptiness
    William Sutton Te Tihi o Kahukura and Sky 1 1976. Oil on Canvas. Purchased 1978
    W.A. Sutton: A Retrospective
    Image: uploads/2021_07/CAG_exh_445_0001.jpg
    A Canterbury Perspective Nga Taonga Titiro Whakamuri i Roto i Waitaha
    Llewelyn Summers Wrestlers Collection of Christchurch Art Gallery Te Puna o Waiwhetū; purchased, 1983
    Thirty Canterbury Artists
    Image: uploads/2022_07/86_64.jpg

    Related reading: In the Vast Emptiness

    Notes
    Infinite Gesture

    Infinite Gesture

    "Tradition is not reproduced. It is thrown and caught. It lives a long time in the air."

    Notes
    Sutton high-fives McCahon

    Sutton high-fives McCahon

    Nothing made it into a W.A. Sutton painting by accident, and the white line that rises diagonally through the sky in Plantation Series II is no exception.

    Notes
    Canterbury Landscape by Colin McCahon

    Canterbury Landscape by Colin McCahon

    In 2014 we purchased an important landscape work by Colin McCahon. Curator Peter Vangioni speaks about this new addition to Christchurch Art Gallery’s collection.

    Notes
    Mountains, Cass by Rita Angus

    Mountains, Cass by Rita Angus

    This article first appeared as 'The wonders of waterolours' in The Press on 11 August 2015.

    Notes
    100 years of the Cass field station

    100 years of the Cass field station

    Last weekend the University of Canterbury Biology Department celebrated the 100th anniversary of the field station at Cass with a symposium on Cass followed up with a field trip to the station.

    Notes
    Wainui - to the west of the long harbour

    Wainui - to the west of the long harbour

    "I like Wainui, quaint, charming, rather like a Pieter Bruegel subject with the haymaking in progress." Rita Angus to Douglas Lilburn, 1943

    Notes
    CASS

    CASS

    This week 77 years ago Rita Angus visited Cass on a sketching holiday with Louise Henderson and Julia Scarvell that resulted in several paintings including the Christchurch Art Gallery's Cass.

    Notes
    CASS

    CASS

    André Hemer's exhibition CASS is well worth a visit if you are near the Christchurch Art Gallery's space above NG on Madras street.

    Notes
    Another nor’wester descends on Canterbury

    Another nor’wester descends on Canterbury

    Some people fear them, others revel in the unforgiving dry heat – love them or hate them the legendary Canterbury nor'wester is one of the defining features of this region in the summer months and there is a real doozy blowing outside at the moment.

    Notes
    Heart in the high country: Austen Deans (1915 - 2011)

    Heart in the high country: Austen Deans (1915 - 2011)

    For Austen Deans, OBE, painting was an expression of his love of the outdoors and, in particular, the Canterbury high country.

    Article
    Exquisite Treasure Revealed

    Exquisite Treasure Revealed

    Canterbury Museum holds two albums compiled by Diamond Harbour artist Margaret Stoddart. The older of the two, containing images featured in this Bulletin, and itself currently exhibited in the Gallery, covers the period 1886–96. The album is handsomely bound in maroon, and stamped M.O.S. in gold. It contains a sort of travelogue by way of black and white photographs set amongst decorative painting, mostly of native flora, with some locality and date information. 

     

    Continued

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