Photography

Event
Reading Photographs: Burton Brothers and the Photographic Narrative
Reading Photographs: Burton Brothers and the Photographic Narrative

Dr Christine Whybrew (Heritage New Zealand) discusses her research on two of New Zealand’s best-known nineteenth-century photographers, Alfred and Walter Burton.

Artist Profile
The Devil’s Blind Spot

The Devil’s Blind Spot

Te Puna o Waiwhetu Christchurch Art Gallery has a long-standing tradition of curating exhibitions of emerging and early-career artists. We do this in order to contribute to the ecology of the local art world, as well as because – quite straightforwardly – we’re interested in the practices of artists at all stages of their careers, and would like to bring the work of outstanding younger artists to wider public attention. The Devil’s Blind Spot is the latest in this ongoing series, but unlike earlier exhibitions, it’s concerned with a single medium – photography.

Exhibition
The Devil’s Blind Spot: Recent Strategies in New Zealand Photography

The Devil’s Blind Spot: Recent Strategies in New Zealand Photography

Recent photography by an emerging generation of New Zealand artists.

Commentary
The Camera as a Place of Potential

The Camera as a Place of Potential

To Māori, the colour black represents Te Korekore – the realm of potential being, energy, the void, and nothingness. The notion of potential and the presence of women are what I see when I peek at Fiona Pardington’s 1997 work Moko. And I say peek deliberately, because I am quite mindful of this work – it is downright spooky. Moko is a photographic rendering of a seeping water stain upon the blackboard in Pardington’s studio, taken while she was the recipient of the Frances Hodgkins Fellowship in Dunedin in 1997.

Exhibition
Joyce Campbell: Flightdream

Joyce Campbell: Flightdream

Joyce Campbell’s immersive video work takes the viewer on a journey into the ocean’s fathomless depths, exploring processes of creation and annihilation.

Notes
Largest ever Fiona Pardington exhibition opens in Christchurch

Largest ever Fiona Pardington exhibition opens in Christchurch

Death, sex, flesh and the female gaze are among the many themes explored in the Gallery’s newest exhibition, Fiona Pardington: A Beautiful Hesitation.

Commentary
The Lines That Are Left

The Lines That Are Left

Of landscape itself as artefact and artifice; as the ground for the inscribing hand of culture and technology; as no clean slate.

— Joanna Paul

The residential Red Zone is mostly green. After each house is demolished, contractors sweep up what is left, cover the section with a layer of soil and plant grass seed. Almost overnight, driveway, yard, porch, garage, shed and house become a little paddock; the border of plants and trees outlining it the only remaining sign that there was once a house there.

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