Kā Kaupapa o te Wā
What’s On
Raymond McIntyre: A Modernist View
Dynamic and progressive paintings and woodcuts from one of Aotearoa’s New Zealand foremost modernist artists.
Living Archives
Archives that tell stories about artists and history in Aotearoa
Whāia te Taniwha
Māori artists consider the enduring relevance of taniwha in Aotearoa.
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Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
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Free entry, free wifi
Notes
A moonlit landscape by Sir Alfred East
This article first appeared as 'Lesser lights' in The Press on 8 November 2013
Notes
New exhibition: Shifting Lines
Here's a little from behind the scenes. Shifting Lines opens tomorrow, 9 November, and runs until 19 January 2014. It's a show about drawing as an idea, which is permitted here to take very different forms. It includes work by six artists – Andrew Beck, Peter Trevelyan, Katie Thomas, Pip Culbert, Gabriella Mangano and Silvana Mangano – all of whom use line to investigate space and structure in unexpected ways.
Notes
Master Secretary
"A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires."
Hilary Mantel, Wolf Hall
Collection
Petrus van der Velden Mountain Stream, Otira Gorge
The Rotterdam-born Petrus van der Velden arrived in New Zealand in 1890. Following his first visit to Otira Gorge in January 1891, he became engrossed with this subject, and painted its powerful, surging torrents many times over the next two years.
This painting was purchased by Gilbert Anderson, a leader in New Zealand’s frozen meat industry, also involved with the Canterbury Society of Arts. Anderson sold it to the Society in 1912; it was purchased from them in 1996 through the Community Trust and Christchurch Art Gallery Trust.
(Treasury: A Generous Legacy, 18 December 2015 – 27 November 2016)
Notes
Cut it out
Eileen Mayo has more than a few fans here at Christchurch Art Gallery and for me her linocuts are a standout of her works represented in the Gallery's collection.
Notes
Behold, the Great Wall of CAG
We don't have too many visitors to the Gallery building just now, but those who do turn up will be able to admire our new forecourt feature.
Notes
The 18th century power paunch
There are websites for everything. Here's a recent discovery by a colleague, a site to which we could make a nice contribution or two ourselves – I mean from the collection.