Kā Kaupapa o te Wā
What’s On
Made in the Pacific: A Collection of Tāoga
A selection of Pacific tāoga from the Canterbury Museum in conversation with contemporary artworks that highlight the continued strength in culture and traditional art forms.
Mark Adams: A Survey | He Kohinga Whakaahua
A comprehensive survey spanning the artist's career.
Ana Iti: Ngahere Behind a Pile of Metal
An immersive installation considering the legacies of deforestation and significance of kauri trees.
E tuwhera ana te wharetoi i kā rā e 7 o te wiki, 10am - 5pm
Ka tuwhera ki te 9pm i kā pō Wenerei
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Uruka utukore, ahokore utukore
Free entry, free wifi
Tips for Trying Times #1 (an occasional series)
1. NEVER go to bed in anything you wouldn't want to wear in the middle of the street.
2. NEVER put the cornflour at the front of your pantry and ALWAYS close the pantry doors.
3. DON'T drive down Madras Street north of Bealey Avenue (contender for The Bounciest Liquefaction-enhanced City Street award), but if you do...
Ah, the good old days...
One of the strangest things about Christchurch's post-quake afterlife is how quiet and empty those once-bustling central city streets have become.
Heavy metal and the black arts
To a self-confessed printing-press spotter like me, this Diadem treadle platen press, which belonged to Leo Bensemann, is quite simply an awesome machine.
Ruinlust
Close readers of this blog might have noticed that many of us – curators, teachers, public programmes folk, visitor hosts – are not in our usual offices but instead rubbing shoulders in the Gallery's library. And naturally, we're glad to see visitors. But a week or so ago the human residents of the library were thoroughly upstaged by – what do you know – a book. Or rather 'the book', because that's what visitors called it when they came in for a viewing. Its reputation preceded it.
A Glowing Start
The 20th Kidsfest kicked off on Saturday night with the Lantern Parade in Hagley Park.
Just because...
Obviously, there doesn't really need to be a reason for putting up an image as dazzling as this, but: today is National Poetry Day.
A not-so-fond farewell
Whenever I see this painting by Michael Smither I'm struck by two things: how knowingly and accurately he conveys domestic life and how much I hate highchairs.
Who watches the watchmen?
John Robert Godley (1814–1861) and William Rolleston (1831–1903), two key players in the history of Christchurch, both tumbled off their perches on 22 February.
Road works ahead
Like a little boy picking scabs, the Gallery's skin is being removed at strategic points to see just what is going on underneath.