The future isn’t what it used to be

The future isn’t what it used to be

Nothing looks older today than yesterday's robots. Rewind through the history of science fiction and you'll find hundreds of robots to whom time has not been kind – creations that looked newer-than-new when they first emerged but now appear tragically tinny.

1968 Festival highlight

1968 Festival highlight

Erring on the side of caution

Erring on the side of caution

To err is human, to forgive divine. Alexander Pope (1688–1744)

It's a very gourd sign

It's a very gourd sign

One painting I was very pleased to see again recently isn't from the Gallery's collection, but will be very familiar to many Christchurch people.

Smith's Bookshop

Smith's Bookshop

Julian Dashper's drawing/collage Blue Cross at Smith's Bookshop captures something of the friendly chaos that welcomed visitors as they stepped off the footpath of Manchester street and into one of Christchurch's most well-known and best-loved bookstores.

But seriously

But seriously

When it comes to contemporary painting, seriousness has a way of turning into solemnity, and solemn art is just asking for it.

Van der Velden vs McCahon

Van der Velden vs McCahon

Van der Velden is leaving the building.

Size matters

Size matters

More moments to treasure emerge from our digitisation of early Gallery exhibitions.

When Dallington was green (not red)

When Dallington was green (not red)

It has dirty yellows and dun-greens, under silvery mid-winter light. You might even call it drab, a deliberate exercise in the un-picturesque. It's Dallington many decades ago, as seen by Russell Clark – a painting which, on an ordinary day, you might find yourself walking right past.

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