What’s On
Dear Shurrie
The art, influence and friendships of sculptor and teacher Francis Shurrock
One O'Clock Jump: British Linocuts from the Jazz Age
Dynamic and vibrant prints from a fast-changing world.
He Kapuka Oneone – A Handful of Soil
Exploring the relationship between tākata and whenua – people and land – through Aotearoa New Zealand’s art history.
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Free entry, free wifi
Commentary
Alicia Frankovich’s Atlas of Anti-Taxonomies
Orange peel, ant’s eye, hibiscus flower, rhubarb, bacteria, a space blob, a virus, an x-ray of a human skull – human, non-human, inhuman, entangled and disordered. In the Atlas of Anti-Taxonomies, artist Alicia Frankovich groups these things by difference rather than sameness, showing them to have dynamic relationships and visual rhythms. Consisting of over 100 images that the artist has gathered, constructed and found, Frankovich’s carefully selected and arranged collections of phenomena, beings and objects glow from lightboxes hung throughout the gallery space. Their collated, overlapping and montaged images are wild and vibrant. Their placement on the large screens feels momentary, as though this is just one iteration of many possible permutations, disrupting any typical or static taxonomical order. In making this work, Frankovich has drawn on the extensive body of research around posthuman ecologies, decolonising nature and queer theory, underscoring this beautiful exhibition with complex ideas of domination and control.
Exhibition
Alicia Frankovich: Atlas of Anti-Taxonomies
An installation de-categorising the world to reveal the wild disorder of nature.
Exhibition
James Oram: By Spectral Hands
In this major new body of work, Ōtautahi artist James Oram creates an ecosystem based on consumer capitalism.
Exhibition
Xoë Hall: Kuīni of the Worlds
A wild new mural from Kāi Tahu artist Xoë Hall celebrating atua wāhine.
Exhibition
Max Fleury and Anna Brimer: Glory
A playful video of impromptu water fountains made from everyday objects.
Interview
Texture of the Time
John Miller (Ngāpuhi) is a special figure in Aotearoa, having photographed protests and important events throughout the country from 1967 right up until the present moment. His work covers everything from the 1960s and 1970s anti-Vietnam war and anti-nuclear protests to the 1975 Māori Land March, 1977–78 Bastion Point occupation and 1981 Springbok Tour protests, as well as many more examples of civilian dissent. John uses the camera as a witness, capturing moments of collective voice in action, and he also honours the people who have led the charge for changes in thinking and our society. Looking at his work is like walking through our history backwards into the future. Curator Melanie Oliver sat down with activist John Minto and photographer Conor Clarke (Ngāi Tahu) to talk about John Miller’s work.
Exhibition
Jen Bowmast: When the Veil is Thin
An evocative sculptural installation celebrating traditions of spirituality and seasonal lore.
Exhibition
Aydriannah Tuiali: Kōwhai
In Te Ao Māori, waiata (songs) are often used to retain memories, knowledge and whakapapa. The meditative chant that artist Aydriannah Tuiali’i performs here urges us to reflect on our ancestors, to look for sustenance and future wellbeing through our connections to the past.
Exhibition
Perilous: Unheard Stories from the Collection
Making room for fresh voices, untold narratives and disruptive ideas.
Exhibition
Māori Moving Image ki Te Puna o Waiwhetū
An exhibition championing film, animation and video art made by several generations of Māori artists.