Interview
A Space for Conversation

A Space for Conversation

Ōtautahi Christchurch-based artists Victoria Edwards and  Ina Johann have worked in artistic collaboration as Edwards + Johann since 2007. They take an interdisciplinary approach to art- making, combining photography, drawing, collage, performance, video and sculpture.

Curator Felicity Milburn spoke with the pair shortly after their month-long residency at Sutton House, during which they prepared sculptures for their upcoming Gallery exhibition. Edwards + Johann: Mutabilities—propositions to an unknown universe will combine these with other works made across the last five years to investigate ideas of response to place, connection and transformation. All of the works carry the indelible resonance of the unforgettable, and tragically unpredictable, geothermal environment of Whakaari White Island, which Edwards + Johann visited in 2018, prior to its devastating 2019 eruption.

Exhibition

Yona Lee: Fountain in Transit

Yona Lee’s Fountain in Transit sculpture is currently covered to protect it during the building work going on above it. We expect to be able to uncover it again in early April. We apologise for any inconvenience. 

Exhibition

Dear Shurrie: Francis Shurrock and his contemporaries

The art, influence and friendships of sculptor and teacher Francis Shurrock.

Interview
Supporting a Pacific Presence

Supporting a Pacific Presence

In 2022, the Gallery received an extraordinary gift: fifty-seven works by thirty-two artists from the private collection of writer, researcher and lecturer Karen Stevenson. Of Tahitian heritage, Stevenson was raised in Los Angeles and moved to Ōtautahi Christchurch in 1995 to take up the position of lecturer in art history at the University of Canterbury School of Fine Arts. She told Felicity Milburn just what the gift means to her.

Exhibition

He Kapuka Oneone – A Handful of Soil

Exploring the relationship between tākata and whenua – people and land – through Aotearoa New Zealand’s art history.

Commentary
Something’s Missing

Something’s Missing

It’s among the best-loved paintings in the Gallery’s collection, celebrated for the connections and conversations it generates between different generations. People who, as children, encountered Petrus van der Velden’s Burial in the winter on the island of Marken [The Dutch Funeral] (1872) in the neoclassical spaces of the old Robert McDougall Art Gallery now bring their own grandchildren to Te Puna o Waiwhetū to see it.

Interview
Pecking Order

Pecking Order

Felicity Milburn: Judy, it’s great to be working with you again, this time on a work for the entry wall leading into our new collection rehang, Perilous. It’s made up of a frieze of photographic panels combining images of handwritten lists and pieces of bread that have been partially eaten away by birds, and you’ve called it Pecking Order. Can you tell us a little about how it came about?

Judy Darragh: Thanks, it’s great to have this new work included in Perilous, it was already in existence and fitted well with ideas in the show.

Life over lockdown became reduced – we were at home, everything was shut down and it became a surreal and shared experience for us all. While out walking I observed the flourishing of bird life, and I had time to hear and feed them in the back garden every day. Feeding the birds was very satisfying.

Exhibition

Billy Apple: From the Collection (Frances Hodgkins)

To mark the first anniversary of Billy Apple’s death, the Gallery installed his work FROM THE CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETŪ COLLECTION alongside a vivid still life painted in Ibiza by Frances Hodgkins.

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