Become a Friend
There's an art to being a Friend of the Gallery - and joy in being connected to a community of art lovers! As a Friend you'll be part of great talks, events and gain a special insight into what's happening at your gallery.
Friends membership perks:
Exclusive events: talks, studio visits, private home art viewings, regional and national tours and social gatherings
Special offers from the Gallery’s Design Store
10% off your purchase at The Thirsty Peacock (onsite restaurant/cafe)
Keep in touch via the Friends monthly E-newsletter
Inside information on what's happening at your Gallery
Subscription to the quarterly Bulletin, the Gallery's award-winning magazine
Where your Friends support goes:
Your friendship helps support the Gallery's collection and publications. We also run fundraising activities to assist the Gallery, including our Auction Events.
Friends Events
Click here for upcoming Friends events.
Friends Committee
President: Mark Flowerday
Vice President: Charrette van Eekelen
Treasurer: Kathryn McBride
Projects Coordinator / Administrator: Annie de Senna
Committee:
Colleen Eason, Marianne Hargreaves,
Ina Johann, Joe Perkinson, Bojana Rimbovska
Friends annual membership fees
Double $90
Individual $65
Student $40
Family $90
(2 adults & children up to 18 living at the same address)
Membership can be for you, or a gift for art lovers that keeps on giving—it lasts a whole year!
Contact the Friends
Friends of Christchurch Art Gallery Te Puna o Waiwhetū
PO Box 2626
Christchurch 8140
New Zealand
p: +64-3-9417356
e: friends@christchurchartgallery.org.nz
We welcome feedback from our members. If you have suggestions, ideas, or queries please let us know at the email address above.
Related
Notes
Underworld 2 by Tony de Lautour
This article first appeared as 'Painting offers a multiverse of symbols' in The Press on 21 June 2017.
Notes
Walk the Beat
Volunteer guide Rod McKay talks about his life, being an art tourist, and guiding Gallery tours.
Notes
The Art Whisperer
Christchurch Art Gallery volunteer guide Bella Boyd talks about her love of guiding, her favourite works in the Gallery collection and interpreting art with poetry.
Notes
How to Book Friends Tickets
To book tickets from your phone, follow these simple steps (or click here for instructions with images).
- Find the event you’d like to book for on our website www.christchurchartgallery/friends
- Scroll down until you see the Book Now option; click on the down arrow to select the date you’d like to book then click book now
- Check you are booking for the event you’d like to attend
- If you are booking for a Friends only event, you will notice the number of tickets is greyed out. To login and access Friends only tickets, click on the door image at the top of the page
- Enter your email address and password
- Now that you’re signed in, you can enter the number of tickets you’d like to purchase
- Check you’re happy with your cart before you checkout
- Let us know who is attending the event
- Let us know of any special requests and tick the Terms & Conditions box then complete your sale
- Pop your payment details in then submit. And don’t forget to save your ticket to your phone for easy access on the day of the event
Don’t forget we’re here to help so get in touch if you have any problems!
friends@christchurchartgallery.org.nz | 03 941 7356
Commentary
Mediating Reality
In the late 1980s, a significant shift for photography in Aotearoa New Zealand was identified in two art publications. The essays and images in these books showed how artists were utilising new strategies, breaking away from the prevailing documentary photography tradition that was, and still is, widespread in Aotearoa. Six Women Photographers (1986) was edited by artists Merylyn Tweedie and Rhondda Bosworth for Photoforum; and Imposing Narratives: Beyond the Documentary in Recent New Zealand Photography (1989) was the catalogue for an exhibition curated by Gregory Burke for City Gallery Wellington. The artists included in both publications questioned in various ways the assumptions and rules of image making, manipulating the media and making a political move from the standpoint of taking a photograph, to making one. No longer was a photograph considered a truthful representation of reality. Instead, photography was seen as a product of, and a participant in, current social and cultural values.
Commentary
Do You See?
With the death of Julie King late in 2018, art and art history in Aotearoa New Zealand lost one of its great champions and major scholars. Julie was born in Yorkshire and grew up and was educated in Alnwick, Northumberland; she moved to Christchurch in 1975 to take up a role lecturing in the newly formed art history department at the University of Canterbury. She retired three decades later, having pioneered the teaching of New Zealand art in Canterbury.
Collection
Julia Morison Dulia
In the early 1990s, Julia Morison used gold and shit in many works, exploring the idealised and base elements of human experience. She drew on the Jewish Sefiroth as a model for thinking about the relationship between the physical and the metaphysical. “Personally, I need to put some kind of order on experience for sake of sanity and negotiation,” she said. “The Sefirothic structure, or Tree of Knowledge, is really a metaphorical file and folder system for all; a conceptual paradigm for understanding everything. Putting that at the core of my practice gives me the freedom to admit everything and anything, micro and macro, metaphysical and corporeal, as legitimate content. It also gives me an interface to compose works.”
The title of this work, Dulia, is a Catholic term for worship given to saints and angels. Here Morison has pressed gold and excrement on to handmade paper balls, which are threaded together like the beads of a catholic rosary—an invitation to meditate on the relationship of the sacred and the profane, on a monumental scale.
