Sam Harrison Carcass (detail) 2011. Plaster and chicken wire. Courtesy of Sam Harrison and Fox Jensen Gallery
Sam Harrison Carcass (detail) 2011. Plaster and chicken wire. Courtesy of Sam Harrison and Fox Jensen Gallery
This exhibition is now closed
Presenting new art from Christchurch, our Rolling Maul project series begins with a remarkable exhibition of sculptures by Sam Harrison.
Harrison's plaster and chicken wire works draw on his experiences as a hunter – the process of their construction echoing in reverse the transformation of animals from living things into inanimate carcasses. Exquisitely observed and acutely 'present', they make for confronting and compelling viewing.
Render is the first instalment of the Rolling Maul project series, which has been generously supported by Creative New Zealand. Local artists have been hit hard by the recent earthquakes, losing studios, works and exhibition venues. Acknowledging this, Rolling Maul borrows its title from a classic rugby union manoeuvre and hopes to be similarly effective in gaining ground against tough opposition. A key part of the Gallery's Outer Spaces programme, Rolling Maul begins with a series of month-long exhibitions at our new favourite venue, the spruced-up gallery space above NG at 212 Madras Street.
Opening hours: Monday to Friday 10am to 5pm, Saturday and Sunday 10am to 4pm.
On Good Friday and Easter Monday this exhibiiton will close at 4pm.
NG is at 212 Madras Street, Christchurch. Please note the exhibition space is upstairs with no lift access.
Group Tours of the exhibition are available
Book a free tour for your group of friends, work, school or community group. Please contact us to arrange a date and time and we'll have one of our volunteer guides meet you in the exhibition space to take you for an informative floortalk. Tours last 30-45 minutes; bookings essential.
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Date:
31 March – 22 April 2012 -
Curator:
Felicity Milburn -
Exhibition number:
903 -
Part of
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Presented with
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Exhibition Supporter
Related reading: Outer Spaces
Exhibition
James Oram: but it's worth it
24 November – 16 December 2012
Manipulating found footage of the infamous 'Black Friday' sales held by American chain stores, James Oram isolates and magnifies smaller physical gestures amidst the frenzied crush.
Exhibition
Out of Place
4 August – 26 August 2012
Katharina Jaeger, Chris Pole, Tim J. Veling and Charlotte Watson start with structure and consider what is possible when the normal rules no longer apply.
Exhibition
Hannah and Aaron Beehre: Waters Above Waters Below
26 May – 17 June 2012
Hannah and Aaron Beehre's immersive new installation connects us with the transformative moments beneath the surface of the everyday.
Exhibition
Georgie Hill and Zina Swanson: Breathing space
28 April – 20 May 2012
Strength, fragility and connection are at the heart of the second Rolling Maul exhibition, which features works by Georgie Hill and Zina Swanson.
Notes
Render
Sam Harrison's latest exhibition Render opened at NG on Madras Street last Friday night.
Notes
Inside the phantom abbatoir
If I had to recommend one book to a course in curatorial studies it would be Victoria Newhouse's amazing study Art and the Power of Placement.
Notes
Holloway Press 1994-2014
Last chance to view the Holloway Press exhibition at Central Library Peterborough this week so if you are in the neighbourhood and like beautifully printed, designed and hand-crafted books then make sure you head along.
Notes
Sian Torrington Call Out
Christchurch Art Gallery is excited to be working with Wellington-based artist Sian Torrington on a site-specific sculptural installation that will combine ideas, images and materials that relate to living in Christchurch now.
See below for a message from Sian to find out how you can get involved.
Notes
Outer Space programme sees Canterbury arts graduate exhibit work in Showhome
The Gallery's latest exhibition in the Outer Spaces programme, Showhome, has opened in Christchurch, featuring the disconcertingly 'perfect' works of recent University of Canterbury graduate Emily Hartley-Skudder.
Notes
Worcester Boulevard exhibition extended as publication developed
The popularity of Reconstruction: Conversations on a City has led to the exhibition being extended until 14 October, and the development of a publication.
Notes
The inner binding now on display at the library
If you've not been down to the Central Library Peterborough yet now's a good time to do it.
Notes
(Way Out)er Spaces
We're pretty pleased with what we're achieving with our Outer Spaces programme, but it's always good to see what else is out there. And I do mean 'out there'...
Notes
The ghost of studios past
In preparation for the next issue of Bulletin, Gallery photographer John and I have been out photographing some of the local artists who will be taking part in Rolling Maul when we reopen.
Interview
Silent Patterns
When we asked Tony de Lautour to produce a new work for the Bunker—the name Gallery staff give to the small, square elevator building at the front of the forecourt on Montreal Street—he proposed a paint scheme inspired by Dazzle camouflage. Associated with the geometric near-abstraction of the vorticist movement, Dazzle was developed by British and American artists during the First World War to disguise shipping. It was a monumental form of camouflage that aimed not to hide the ship but to break up its mass visually and confuse enemies about its speed and direction. In a time before radar and sonar were developed, Dazzle was designed to disorientate German U-boat commanders looking through their periscopes, and protect the merchant fleets.
Senior curator Lara Strongman spoke with Tony de Lautour in late January 2016.
Article
Sparks that fly upwards
Curator Felicity Milburn remembers five years and 101 installations in a gallery without walls.
My Favourite
Peter Stichbury's NDE
Anna Worthington chooses her favourite work from the Gallery collection.