Exhibitions
Events
On display
Artists at Work: Darryn George
The artist in his studio 2021. Photography by Sam George
Friends
Past event
$25 [Friends Only Event]
This event has now sold out. If you would like to be added to the waitlist, please email friends@christchurchartgallery.org.nz with your details.
Based in Ōtautahi, Darryn graduated with a BFA in painting in 1993 from the University of Canterbury and completed his MFA (Painting) at the Royal Melbourne Institute of Technology in 1998. His work is held in public collections thoughout New Zealand including Te Papa Tongarewa, Christchurch Art Gallery and the Chartwell Collection.
As the year progresses you can look forward to a top line-up of artists opening their studios to share their latest creations and projects. We are thrilled to be able to offer Friends an insight into a range of artistic practices. These talks are an exciting complement to our Art at Home series, where serious art collectors will open up their homes.
* This studio is located in Bryndwr. Access is via steps.
* Ticket holders will be advised of the address, via email, two days prior to the event.
* You will be required to present your COVID Vaccine Pass on entry.
Related reading: Friends
Exhibition
Kōwhaiwhai
3 September 2016 – 6 February 2017
Five significant works of art that look to traditional Māori architecture to inform modernist and contemporary Māori art practice.
Exhibition
Darryn George: Pulse
8 March – 24 August 2008
The walls themselves become the artwork in Darryn George's new project. Stretching more than 50 metres and reaching from floor to ceiling, Pulse is an engulfing fusion of customary Māori art and contemporary abstract painting. Using intricate patterns, chanting rhythms and an eye-popping palette of red, black and white, George fills the hushed white cube of the Sutton Gallery with a continual pulse of light, language and pattern.
Notes
How to Book Friends Tickets
To book tickets from your phone, follow these simple steps (or click here for instructions with images).
- Find the event you’d like to book for on our website www.christchurchartgallery/friends
- Scroll down until you see the Book Now option; click on the down arrow to select the date you’d like to book then click book now
- Check you are booking for the event you’d like to attend
- If you are booking for a Friends only event, you will notice the number of tickets is greyed out. To login and access Friends only tickets, click on the door image at the top of the page
- Enter your email address and password
- Now that you’re signed in, you can enter the number of tickets you’d like to purchase
- Check you’re happy with your cart before you checkout
- Let us know who is attending the event
- Let us know of any special requests and tick the Terms & Conditions box then complete your sale
- Pop your payment details in then submit. And don’t forget to save your ticket to your phone for easy access on the day of the event
Don’t forget we’re here to help so get in touch if you have any problems!
friends@christchurchartgallery.org.nz | 03 941 7356
Notes
Underworld 2 by Tony de Lautour
This article first appeared as 'Painting offers a multiverse of symbols' in The Press on 21 June 2017.
Notes
Walk the Beat
Volunteer guide Rod McKay talks about his life, being an art tourist, and guiding Gallery tours.
Notes
The Art Whisperer
Christchurch Art Gallery volunteer guide Bella Boyd talks about her love of guiding, her favourite works in the Gallery collection and interpreting art with poetry.
Commentary
Mediating Reality
In the late 1980s, a significant shift for photography in Aotearoa New Zealand was identified in two art publications. The essays and images in these books showed how artists were utilising new strategies, breaking away from the prevailing documentary photography tradition that was, and still is, widespread in Aotearoa. Six Women Photographers (1986) was edited by artists Merylyn Tweedie and Rhondda Bosworth for Photoforum; and Imposing Narratives: Beyond the Documentary in Recent New Zealand Photography (1989) was the catalogue for an exhibition curated by Gregory Burke for City Gallery Wellington. The artists included in both publications questioned in various ways the assumptions and rules of image making, manipulating the media and making a political move from the standpoint of taking a photograph, to making one. No longer was a photograph considered a truthful representation of reality. Instead, photography was seen as a product of, and a participant in, current social and cultural values.
Commentary
Do You See?
With the death of Julie King late in 2018, art and art history in Aotearoa New Zealand lost one of its great champions and major scholars. Julie was born in Yorkshire and grew up and was educated in Alnwick, Northumberland; she moved to Christchurch in 1975 to take up a role lecturing in the newly formed art history department at the University of Canterbury. She retired three decades later, having pioneered the teaching of New Zealand art in Canterbury.
Collection
Julia Morison Dulia
In the early 1990s, Julia Morison used gold and shit in many works, exploring the idealised and base elements of human experience. She drew on the Jewish Sefiroth as a model for thinking about the relationship between the physical and the metaphysical. “Personally, I need to put some kind of order on experience for sake of sanity and negotiation,” she said. “The Sefirothic structure, or Tree of Knowledge, is really a metaphorical file and folder system for all; a conceptual paradigm for understanding everything. Putting that at the core of my practice gives me the freedom to admit everything and anything, micro and macro, metaphysical and corporeal, as legitimate content. It also gives me an interface to compose works.”
The title of this work, Dulia, is a Catholic term for worship given to saints and angels. Here Morison has pressed gold and excrement on to handmade paper balls, which are threaded together like the beads of a catholic rosary—an invitation to meditate on the relationship of the sacred and the profane, on a monumental scale.
