Exhibitions
Events
On display
Selwyn Gems Day Trip
Broadfield Garden. S Carter Canal
Piri Cowie Te Hekenga 2022. Bronze.
Fiona Gunn to seed 1999. Cast iron
Friends
Past event
$120 [Friends Only Event]
Join the Friends on an adventure exploring some of the gems of Selwyn.
This large district spans the whenua between the Waimakariri and Rakaia rivers from the alps to the ocean, immediately east of Ōtautahi. This trip is focused on Lincoln and Rolleston to showcase three gems within this small subsection of the district.
Our exploration will begin with a guided tour of Te Ara Ātea, the recently opened and stunningly beautiful Rolleston Library. The name Te Ara Ātea was gifted to the community by Te Taumutu Rūnanga, and means unobstructed trail to the world and beyond. It expresses a notion that this is a place for learning, gathering, connecting, exploring and celebrating our heritage and people. A surprise awaits for those who regard Rolleston as a place you whizz past on State Highway 1!
We will then progress to the incredible Broadfield Garden where we will enjoy a picnic lunch in the grounds. Our host, and the creator of this masterpiece, will be on-site to answer questions and guide us around the gardens - this is a truly ‘hidden gem’.
To round off the afternoon we will be treated to a guided tour of the Lincoln University Art Collection. Lincoln University has an enviable collection of original artworks consisting of over 300 paintings, prints, sculptures and ceramics. The collection includes works dating from as early as 1639, with the majority of works by contemporary New Zealand artists from the 1970s through to the present day.
* Ticket cost includes charter bus, a picnic lunch and entrance fees
* Please note, the bus departs Te Puna o Waiwhetū at 9.30am and arrives back at approximately 5.30pm
Related reading: Friends
Notes
How to Book Friends Tickets
To book tickets from your phone, follow these simple steps (or click here for instructions with images).
- Find the event you’d like to book for on our website www.christchurchartgallery/friends
- Scroll down until you see the Book Now option; click on the down arrow to select the date you’d like to book then click book now
- Check you are booking for the event you’d like to attend
- If you are booking for a Friends only event, you will notice the number of tickets is greyed out. To login and access Friends only tickets, click on the door image at the top of the page
- Enter your email address and password
- Now that you’re signed in, you can enter the number of tickets you’d like to purchase
- Check you’re happy with your cart before you checkout
- Let us know who is attending the event
- Let us know of any special requests and tick the Terms & Conditions box then complete your sale
- Pop your payment details in then submit. And don’t forget to save your ticket to your phone for easy access on the day of the event
Don’t forget we’re here to help so get in touch if you have any problems!
friends@christchurchartgallery.org.nz | 03 941 7356
Notes
Underworld 2 by Tony de Lautour
This article first appeared as 'Painting offers a multiverse of symbols' in The Press on 21 June 2017.
Notes
Walk the Beat
Volunteer guide Rod McKay talks about his life, being an art tourist, and guiding Gallery tours.
Notes
The Art Whisperer
Christchurch Art Gallery volunteer guide Bella Boyd talks about her love of guiding, her favourite works in the Gallery collection and interpreting art with poetry.
Commentary
Mediating Reality
In the late 1980s, a significant shift for photography in Aotearoa New Zealand was identified in two art publications. The essays and images in these books showed how artists were utilising new strategies, breaking away from the prevailing documentary photography tradition that was, and still is, widespread in Aotearoa. Six Women Photographers (1986) was edited by artists Merylyn Tweedie and Rhondda Bosworth for Photoforum; and Imposing Narratives: Beyond the Documentary in Recent New Zealand Photography (1989) was the catalogue for an exhibition curated by Gregory Burke for City Gallery Wellington. The artists included in both publications questioned in various ways the assumptions and rules of image making, manipulating the media and making a political move from the standpoint of taking a photograph, to making one. No longer was a photograph considered a truthful representation of reality. Instead, photography was seen as a product of, and a participant in, current social and cultural values.
Commentary
Do You See?
With the death of Julie King late in 2018, art and art history in Aotearoa New Zealand lost one of its great champions and major scholars. Julie was born in Yorkshire and grew up and was educated in Alnwick, Northumberland; she moved to Christchurch in 1975 to take up a role lecturing in the newly formed art history department at the University of Canterbury. She retired three decades later, having pioneered the teaching of New Zealand art in Canterbury.
Collection
Julia Morison Dulia
In the early 1990s, Julia Morison used gold and shit in many works, exploring the idealised and base elements of human experience. She drew on the Jewish Sefiroth as a model for thinking about the relationship between the physical and the metaphysical. “Personally, I need to put some kind of order on experience for sake of sanity and negotiation,” she said. “The Sefirothic structure, or Tree of Knowledge, is really a metaphorical file and folder system for all; a conceptual paradigm for understanding everything. Putting that at the core of my practice gives me the freedom to admit everything and anything, micro and macro, metaphysical and corporeal, as legitimate content. It also gives me an interface to compose works.”
The title of this work, Dulia, is a Catholic term for worship given to saints and angels. Here Morison has pressed gold and excrement on to handmade paper balls, which are threaded together like the beads of a catholic rosary—an invitation to meditate on the relationship of the sacred and the profane, on a monumental scale.
