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    Bulletin
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    NotesCommentaryArtist ProfileArticleDirector's ForewordMy FavouriteInterview

    Director’s Foreword

    Director's Foreword

    Disruptive Landscapes

    Commentary

    Tony Fomison: No!

    My Favourite

    Clocking Off
    The Shifting Labours of John Vea

    Commentary

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    squares (geometric figures) ×
    Portrait of Betty Curnow

    Portrait of Betty Curnow

    Henderson, Louise

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    Untitled

    Untitled

    Cohen, Bernard

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    Net

    Net

    Morison, Julia

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    Pita goes Fishing at Mulifanua

    Ifopo, Faumuina

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    Adrift at Sea - 6

    Adrift at Sea - 6

    Gimblett, Max

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    Do It

    Do It

    Hanly, Patrick

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    Diagonals

    Diagonals

    Suiter, Georgia

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    Untitled (Towards Two Squares)

    Untitled (Towards Two Squares)

    Rhodes, Pauline

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    12 Midnight

    12 Midnight

    Maddock, Beatrice

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    detail
A Person Looks At A Work Of Art/
someone looks at something…

    detail A Person Looks At A Work Of Art/ someone looks at something…

    Tyndall, Peter

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    Blind V

    Blind V

    McCahon, Colin

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    Delta Two

    Delta Two

    Williams, Mervyn

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    Excrement/Gold

    Excrement/Gold

    Morison, Julia

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    Fuisse

    Fuisse

    Nakagawa, Kazu

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    Morris Suite No. 14

    Morris Suite No. 14

    Coley, John

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    Homage to John McLauglin

    Homage to John McLauglin

    Gimblett, Max

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    The Father - Again and Again

    The Father - Again and Again

    Gimblett, Max

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    Tufuga / Kavaka

    Tufuga / Kavaka

    Pule, John

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    Abstractions on moon surface

    Abstractions on moon surface

    Hutchison, Dee

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    Voice II

    Voice II

    Albrecht, Gretchen

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    Plain Song Quartet

    Plain Song Quartet

    Parker, John

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    Positive And Negative: white; 1968

    Pomodoro, Gio

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    Lalava

    Lalava

    Tohi, Filipe

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    Kūtorohia these uaua

    Kūtorohia these uaua

    Brickell, Heidi

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    A Bullier

    A Bullier

    Forain, Jean-Louis

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    Lapita – Kone

    Lapita – Kone

    Feu’u, Fatu

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    Study for Jade

    Study for Jade

    Gimblett, Max

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    Three Reds

    Three Reds

    Peebles, Don

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    Guggenheim Enso - 12/25

    Guggenheim Enso - 12/25

    Gimblett, Max

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    CHROMATIC SUITE I, No. 2, 1968

    CHROMATIC SUITE I, No. 2, 1968

    Mrkusich, Milan

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    Durham Cathedral

    Durham Cathedral

    Habgood, Noel

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    Lapita – Mulifanua

    Lapita – Mulifanua

    Feu’u, Fatu

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    Dead Head

    Dead Head

    de Vries, Tjalling

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    Koekilukilua

    Koekilukilua

    Maka, Kulimoe'anga Stone

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    detail
A Person Looks At A Work Of Art/
someone looks at something…

    detail A Person Looks At A Work Of Art/ someone looks at something…

    Tyndall, Peter

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    Stations 1

    Stations 1

    Ritchie, Ross

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    Pyramid Center - Tantric Suite - 13

    Pyramid Center - Tantric Suite - 13

    Gimblett, Max

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    A Construction of a Past

    A Construction of a Past

    Te Waru Rewiri, Kura

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    One Stroke Bone - TP/1

    One Stroke Bone - TP/1

    Gimblett, Max

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    South Island Saddleback And Portion Of A Continuous Pattern 13+1 Or Trying To Get Everything Into Its Proper Perspective

    South Island Saddleback And Portion Of A Continuous Pattern 13+1 Or Trying To Get Everything Into Its Proper Perspective

    Cleavin, Barry

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    Cantus (Blue)

    Cantus (Blue)

    Williams, Mervyn

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    Shiver

    Shiver

    Williams, Mervyn

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    Typographical Prints

    Typographical Prints

    Hailstone, Max

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    Relief Construction No. 3

    Relief Construction No. 3

    Peebles, Don

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    Maui Enso

    Maui Enso

    Gimblett, Max

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