Ralph Hotere
Aotearoa New Zealand, b.1931, d.2013
Te Aupōuri,
Muriwhenua,
Māori
Malady Panels
- 1971
- Acrylic on canvas
- Purchased with assistance from the Queen Elizabeth II Arts Council, 1979
- Reproduced by permission of the Hotere Foundation Trust
- 1802 x 7605mm
- 79/388:1-7
A poem by Bill Manhire was the inspiration for this series of paintings. It repeated the words ‘malady’, ‘melody’ and ‘my lady’ and the repetition, simplicity and strong emotion of the poem appealed to Ralph Hotere. ‘Melody’ and ‘malady’ come together in ‘my lady’, suggesting that deep-felt love can be both a sickness and a delight.
The fine circles in the paintings suggest the fragility of love, and their intense colour celebrates its beauty. Hotere made several works based on this poem during the early 1970s.
Hotere was born in Taikarawa, Northland, and was widely regarded as one of New Zealand’s greatest living artists. He is represented in public and private collections throughout New Zealand. He lived at Port Chalmers near Dunedin.
Exhibition History
Related reading: Ralph Hotere
film
Ralph Hotere - Malady Panels
Poet, painter and commentator Greg O'Brien talks about Ralph Hotere's Malady Panels (1971).
film
Ralph Hotere - Malady panels
An introduction to Ralph Hotere's Malady panels (1971), narrated by New Zealand actor Sam Neill.
Notes
Dr T.L. Rodney Wilson 1945-2013
We learned of the death of Rodney Wilson yesterday and our thoughts are with his family and friends.
Notes
Thinking / feeling my way in
"What abstract painting can do better than anything else is [evoke] that sense of recognition that's indefinite yet ecstatic at the same time. It's getting to the emotional underpinning that we all share, that is the substitute for the common or religious belief. I believe abstraction can do that."
Notes
Ralph Hotere: Ātete (to resist)
The extraordinary exhibition Ralph Hotere: Ātete (to resist) provided Ōtautahi Christchurch audiences with a truly remarkable opportunity to experience artworks by Ralph Hotere at first hand. Ralph was one of Aotearoa’s most talented artists and, significantly for Christchurch, two of his most notable works, Godwit/Kuaka (1977) and Black Phoenix (1984–88), were shown for the first time in the city.
Notes
Ralph Hotere
Hard to believe two years have already gone by since the passing of Ralph Hotere on 24th February 2013. Unlike many public galleries around the country at the time of his passing Christchurch Art Gallery was frustratingly unable to display any works by Ralph from the collection due to our ongoing closure.
Notes
Ralph Hotere (Te Aupōuri) 11 Aug 1931 - 24 Feb 2013
Join us in commemorating the first anniversary of the death of one of New Zealand's most significant and acclaimed artists.
Notes
Black Union Jack
With the death of Nelson Mandela, the history of the anti-apartheid struggle is being re-examined, including the protest movement that emerged here in New Zealand.
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Black Painting
Ralph Hotere's recognition as a Member of the Order of New Zealand in the New Year was a fitting tribute to an artist whose work has truly reflected social, political and environmental issues relating to New Zealand and the wider international community throughout his career.
Notes
Sangro Litany by Ralph Hotere
The Sangro series, begun in 1962, is a memorial to Ralph Hotere's brother Jack, who fought with the Maori Battalion and whose grave lies among those of hundreds of other young soldiers at the Sangro River War Cemetery on Italy's Adriatic Coast.
Notes
Drawing (KO WAI KOE?) by Ralph Hotere
This article first appeared in The Press on 28 March 2007
Among the highlights of the Christchurch Art Gallery's drawing collection is Drawing (KO WAI KOE?) by Otago artist Ralph Hotere. Produced in 1977 Drawing (KO WAI KOE?) illustrates Hotere's development from his formal geometric approach found in his earlier work of the late 1960s and early 1970s towards the more expressive manner he developed throughout the 1970s and 1980s.
Commentary
Ralph Hotere: Ātete (to resist)
Ralph Hotere’s art charted his journeys throughout Aotearoa and the world, reflecting on his experiences, identity and politics. As the first major survey exhibition of Hotere’s artistic career for over twenty years, Ātete celebrates his achievements and brings his vision to a new generation. It’s been a huge project to bring together so we thought it was timely to ask the four curators to tell us a little about their relationship with Hotere – how do they connect as individuals with the artist’s works, and the themes and the locations that they explore?
