B.

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.

Ralph Hotere’s Requiem Series of paintings of 1973–74 refers to the Catholic mass for the dead and his use of dark, subdued tones throughout the series imbues a sense of contemplative reflection. In this related drawing, flowing watercolour washes are overlaid with precisely executed pinstripe lines of paint creating a striking contrast between the spontaneous and the orderly.

Hotere (of Aupouri descent) was born in Taikarawa, in Northland. A New Zealand Art Societies Fellowship Scholarship in 1961 enabled him to travel to London to study at the Central School of Art. He also travelled extensively throughout Europe. Hotere returned to New Zealand in 1965 and from 1969 was based in Dunedin. His work dealt with environmental issues, politics, poetry, religion, colonialism and racism. The Arts Foundation of New Zealand listed him as an inaugural Icon Artist in 2003.

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.

1969 was a watershed year for Ralph Hotere. It was the year he was awarded the Frances Hodgkins Fellowship at the University of Otago, which led to his permanent move to Dunedin and Port Chalmers. Black Painting is not only one of the first purely abstract paintings to enter the collection, it is also the first painting by a Māori artist to be acquired. In Hotere’s enigmatic series of Black Paintings from 1968 and 1969, pinstripe circles or lines pierce the void of the dark backgrounds. Black Painting was acquired from the 1969 Group Show in Christchurch by Muir, who had studied under Hotere in Auckland during the mid-1960s.

(1969 Comeback Special 27 August – 6 November 2016)

This suite relates to Pathway to the Sea – Aramoana (1991), a major sculptural installation of parallel rows of fluorescent tubes and paua shells that stretch across the floor. Based around Otago Harbour, the prints show a range of ideas and themes that Ralph Hotere and William Culbert had for the installation.

The wine glass, which occurs throughout this suite, symbolises the harbour and its stem symbolises the ‘pathway to the sea’. There is also text, which, of course, is absent from the installation piece. Hotere and Culbert raise the question of identity by asking ‘No Hea Koe?’ (Where are you from?) and ‘Ko Wai Koe?’ (Who are you?)

Hotere and Culbert collaborated on a number of large scale sculptural works since the early 1990s.

Hotere was born in Taikarawa, Northland, and was one of New Zealand’s most significant contemporary artists. He studied at the Central School of Art in London and worked in France and Italy but lived at Port Chalmers. Hotere exhibited paintings and sculpture throughout New Zealand and made numerous works as a result of public commissions. Culbert was born in Port Chalmers, near Dunedin. He studied at the University of Canterbury School of Fine Art and in 1957 travelled to London and attended the Royal College of Art. Culbert has been making sculptures using light since the late 1960s and exhibits widely in Britain and Europe. He currently lives in London and the south of France and often returns to New Zealand.