- Synthetic polymer paint on paper
- Purchased 1972
- Reproduced courtesy of Colin McCahon Research and Publication Trust
- 1410 x 1040mm
For the exhibition Untitled #1050 (25 November 2017 – 14 October 2018) this work was displayed with the following label:
“As a painter I may often be more worried about you than you are about me and if I wasn’t concerned I’d not be doing my work properly as a painter. Painting can be a potent way of talking.
“Do you believe in the sunrise?
“My painting year happens first in late winter and early spring. I paint with the season and paint best during the long hot summers. I prefer to paint at night or more especially in the late summer afternoons when, as the light fades, tonal relationships become terrifyingly clear.
“At night I paint under a very large incandescent light bulb. I’ve been doing this for a long time. I am only now, and slowly, becoming able to paint in the morning. After a lifetime of working – farming, factories, gardening, teaching, the years at the Auckland City Art Gallery – I find it hard to paint in the world’s usual work-time. It can be difficult to accept that painting too is work.”
—Colin McCahon, 1972