Margaret Stoddart

Aotearoa New Zealand, b.1865, d.1934

Bush Fire, Paraparaumu

c. 1908
Watercolour
Purchased 1959
257 x 360mm
69/24
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Tags: black (color), bush (wilderness), destruction, disasters, fires (events), Impressionist (style), landscapes (representations), natural landscapes, smoke (material), trees

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About the artist

Stoddart, Margaret Olrog (Aotearoa New Zealand, b.1865, d.1934)

Margaret Stoddart, from The Weekly Press 9 June 1909

Environmentalists in Aotearoa New Zealand have been fighting to protect our forests from as early as the 1860s. In 1863, the Kīngitanga Te Hokioi newspaper urged readers to: “cease setting fire to the forests lest the trees be consumed; lest there be no more trees for our descendants”. Five years later, Waitaha Canterbury MP and conservationist Thomas Potts gave a speech in parliament asking for assessment, care and protection of the forests. Some forty years later, Margaret Stoddart painted this watercolour in Paraparaumu on the Kāpiti Coast, showing smoke billowing from what remains of dense native bush that appears to be being cleared for agriculture. This was an unusual subject for Stoddart, far removed from the still-life subjects for which she became so highly regarded, and perhaps reveals her anxiety about the continuing deforestation of Aotearoa.

Kīngitanga ~ the King Movement which developed in the 1850s to stop the loss of land to colonists, maintain law and order and promote traditional values and culture

He Kapuka Oneone – A Handful of Soil (from August 2024)

Exhibition History

other labels about this work

Ship Nails and Tail Feathers: Historic Treasures from the Collections of Christchurch Art Gallery Te Puna o Waiwhetū and Canterbury Museum, 10 June – 23 October 2023

Perhaps the most effective way to clear the native forest that stood in the way of developing farmland was to set fire to it – something poignantly captured here by Margaret Stoddart. The landscape of Paraparaumu, and the Tararua mountain ranges beyond, was home to one of Aotearoa’s most prized birds, the huia. Now extinct, when Stoddart painted this work around 1908, the last official sighting of huia had been recorded a year earlier. Huia were prized for their distinctive tail feathers by Māori and Pākehā, and were relentlessly hunted to extinction in the early 1900s to satisfy a lucrative trade in their skins for stuffed specimens and their beaks for grim jewellery.
It is thought this nuggetty watercolour painting was completed shortly after Margaret Stoddart’s return to New Zealand from an extended period studying and painting in Europe. Acrid smoke billows upwards as the dense native bush, presumably being cleared for agricultural purposes, is consumed by fire. This is a tough, poignant and unusual subject for Stoddart – far removed from the rather more subdued still-life subjects for which she became so highly regarded. Stoddart’s complete mastery with watercolour is seen in her beautiful handling and contrasting of washes of colour, from the dense darks of the bush to the white smoke. (March 2018)