He Kuru Pounamu

Jennifer Rendall
Jennifer Rendall in her studio, 2025. Photos: Kirsty Dunn

Jennifer Rendall in her studio, 2025. Photos: Kirsty Dunn

Jen Rendall (Ngāi Tahu, Ngāti Māmoe) has explored ancestral narratives and the entwinements of plant life, waterways and landscapes in her works for some time. As a member of Paemanu Ngāi Tahu Contemporary Visual Arts, she has participated in significant exhibitions which honour Kāi Tahu relationships to whenua, including Tauraka Toi: A Landing Place at the Dunedin Public Art Gallery in 2021. More recently, her work was included in Kia Ora Whaea – an exploration of Māori motherhood and Indigenous perspectives and experiences of maternity shown at the Corban Estate Arts Centre in Tāmaki Makarau, which also included work by fellow Kāi Tahu contemporaries Turumeke Harrington and Alix Ashworth.

He Kuru Pounamu section

Jen continues her exploration of Kāi Tahu narratives and relationships to whenua in her moving and delicate contribution to Whāia te Taniwha. Entitled Noti Raureka: Niho Taniwha the work draws inspiration from the navigational prowess and strength of Kāti Wairaki wahine Raureka, who carried pounamu as she traversed Kā Tiritiri- o-te-Moana Southern Alps. While delicate flowers of the alpine cushion plant invite a close engagement with the work, the mountain forms reminiscent of niho taniwha also ask us to step back to gain a different perspective and appreciate the ways in which ancestral stories are held and recorded in the landscape. Jen’s work prompts us to recognise and contemplate the journeys and expertise of tūpuna, and to reflect on the importance of place names that record their feats and experiences too.

This work also demonstrates Jen’s preferred style of working on heavy furnishing fabric and exhibiting her paintings unstretched and attached directly to the wall. Allowing her works, both large and smaller scale, to fall freely rather than be confined by the more rigid structure of the traditionally framed painting creates a different kind of kōrero between the work and the site that holds it. In addition, pieces of pounamu that Jen has collected during her many visits to Te Tai Poutini and her walks along the awa are shown here as part of the whakapapa of the work and as another reminder of the way in which narratives pertaining to place are held, maintained, stored and shared.

Jen is one of several Kāi Tahu artists commissioned to create new works for Whāia te Taniwha and this is the first time her work has been included in an exhibition at the Gallery.

16 September 2025

Kirsty Dunn

Kirsty Dunn (Te Aupōuri, Te Rarawa, Ngāpuhi) is a lecturer at Aotahi: the School of Māori and Indigenous Studies, Te Whare Wānanga o Waitaha University of Canterbury. Her art writing has appeared in publications by Te Puna o Waiwhetū Christchurch Art Gallery, The Physics Room, Blue Oyster Gallery and the Corban Estate Arts Centre amongst others.