By the 1950s Toss Woollaston had established his reputation in New Zealand as a leading modernist painter. He worked quickly and spontaneously in a gestural manner that infused his works with much immediacy and energy As a pioneering modernist working in mid-twentieth-century New Zealand, Woollaston faced many challenges. It was with difficulty that he managed to continue painting while supporting his family, and it was not until the late 1960s that he was able to commit himself fully to his art. He moved to Greymouth in 1949 and the West Coast landscape is the subject of some of his most vigorous artistic treatments. Portraiture was also an important element in Woollaston’s output and something that he pursued throughout his career. Of his approach to portrait painting he commented: 'I have to observe (the subject), sometimes for quite a long time, till I find their most natural attitudes and movements. I do not copy their actual physical movements...but I have a rich means of suggesting them - the lean and tilt of the different planes and volumes in contrasting directions - what I understood by Hans Hofmann’s term movement and tension on the picture planes...'
(Brought to Light, November 2009)