Earthquake

Commentary
The Lines That Are Left

The Lines That Are Left

Of landscape itself as artefact and artifice; as the ground for the inscribing hand of culture and technology; as no clean slate.

— Joanna Paul

The residential Red Zone is mostly green. After each house is demolished, contractors sweep up what is left, cover the section with a layer of soil and plant grass seed. Almost overnight, driveway, yard, porch, garage, shed and house become a little paddock; the border of plants and trees outlining it the only remaining sign that there was once a house there.

Notes
Five years on

Five years on

Today is the fifth anniversary of the February earthquake of 2011 which devastated Christchurch. During that time, we and our city have been through so many different phases.

 

Notes
The regeneration must not be bureaucratised

The regeneration must not be bureaucratised

Aaron Kreisler is Head of the School of Fine Art at the University of Canterbury. He talked to Bulletin about challenges and opportunities for the arts in our city and what art can contribute to the future of Christchurch.

Article
Sparks that fly upwards

Sparks that fly upwards

Curator Felicity Milburn remembers five years and 101 installations in a gallery without walls.

 

Interview
The last five years

The last five years

An oral history of the Gallery building, 2010-2015.

 

Director's Foreword
Everything is going to be alright

Everything is going to be alright

The cover of Bulletin 181 in September 2015 featured a miscellany of crates in storage, several marked fragile, one weighing 156kg, some with arrows indicating which way up they should be, others instructing the reopener to lay it flat first. Some bear an image of what’s inside. Ralph Hotere’s Malady Panels and Julia Morison’s Tootoo are there, one with a label, the other with an image of the installed piece. As I write this our collections remain in storage. A few new works and some which have been on loan are awaiting return from storage within other institutions.

Article
Regional revitalization with art

Regional revitalization with art

Rei Maeda, coordinator of the Echigo-Tsumari Art Triennale, writes on art’s contribution to the regeneration of a remote rural area of Japan.

 

Notes
What sort of city do we want our children's children to live in?

What sort of city do we want our children's children to live in?

Martin Trusttum, project manager for Ōtākaro Art by the River, and founder of temporary gallery space ArtBox, writes on the role of art in Christchurch.

Notes

Repair Update - Base Isolation to begin

A technology that allows a building to effectively 'float' on its foundations during an earthquake is about to be applied to the Gallery.

Load more