Notes
Four years ago

Four years ago

Four years ago today, disgruntled stallholder Mohamed Bouazizi's immolation sparked revolution in Tunisia, leading directly to revolutions in other Arab countries.

Notes
Van der Velden's Rotterdam

Van der Velden's Rotterdam

I've been delving into the University of Canterbury's art collection recently, as it has been made available on the University's web site, and was stoked to come across the two Petrus van der Velden drawings below. 

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Time Out

Time Out

Currently in Sydney installing Bill Culbert's Pacific Flotsam at the National Art School Gallery in Darlinghurst, Exhibitions and Collections Team Leader Sean Duxfield noticed the show being promoted in Time Out.

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To you and your kin, etc

To you and your kin, etc

It's that time of year; if you're not buying, writing or posting them, you're plucking them out of the mailbox.

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Irises by Rita Angus

Irises by Rita Angus

This article first appeared as 'The meticulous small world of Rita Angus' in The Press on 9 December 2014.

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100 years of the Cass field station

100 years of the Cass field station

Last weekend the University of Canterbury Biology Department celebrated the 100th anniversary of the field station at Cass with a symposium on Cass followed up with a field trip to the station.

Notes
Happy Birthday Akaroa Museum

Happy Birthday Akaroa Museum

Big Congratulations to Akaroa Museum on their 50th anniversary which they are celebrating this weekend.

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Scrabbling

Scrabbling

There are some great transitional works in our basement these days. It turns out Fulton Hogan employee Juan Pablo Laplechade is pretty handy with a scrabbler... 

Notes
Aroha ki te Takata a Rohe

Aroha ki te Takata a Rohe

Voluntary work is work done of one's own free will, unpaid, for the common good.

Article
Aspirin, light bulbs and instant coffee

Aspirin, light bulbs and instant coffee

Robert Hughes's canonical text The Shock of the New was first published in 1980 following a successful television series that aired in the UK that same year. In this book, Hughes provided a lively and challenging account of the development of modern art and design in the twentieth century. That this volume should find its way onto the bookshelf of New Zealand art collectors Jim Barr and Mary Barr is no surprise. But the Barrs' copy of the book subsequently became the site for a series of interventions and adaptations that have altered its meaning and significance. 

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