Kā Kaupapa o te Wā
What’s On
Made in the Pacific: A Collection of Tāoga
A selection of Pacific tāoga from the Canterbury Museum in conversation with contemporary artworks that highlight the continued strength in culture and traditional art forms.
Mark Adams: A Survey | He Kohinga Whakaahua
A comprehensive survey spanning the artist's career.
Ana Iti: Ngahere Behind a Pile of Metal
An immersive installation considering the legacies of deforestation and significance of kauri trees.
E tuwhera ana te wharetoi i kā rā e 7 o te wiki, 10am - 5pm
Ka tuwhera ki te 9pm i kā pō Wenerei
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Uruka utukore, ahokore utukore
Free entry, free wifi
Interview
The Maureen Lander Archive
After nearly forty years as a practicing artist, Maureen Lander (Ngāpuhi, Te Hikutu, Pākehā) is developing a digital archive of photographs and related materials documenting her career to date. This has been made possible by the return of her daughter Kerry to Aotearoa New Zealand after twenty- three years in Australia. Assisted by Heritage Studios staff and funding from Creative New Zealand, Kerry is working to archive and digitise everything, which will eventually be available to the public. Maureen and Kerry share thoughts about the process so far.
Exhibition
One O'Clock Jump: British Linocuts from the Jazz Age
Dynamic and vibrant prints from a fast-changing world.
Exhibition
Edith Amituanai and Sione Tuívailala Monū: Toloa Tales
New video works trace migratory threads across Te Moana-nui-a-Kiwa as the artists return to their ancestral homeland.
Exhibition
Marilynn Webb: Folded in the Hills
"It’s nothing to do with drawing landscape, it’s to do with connection…"
Marilynn Webb (1937–2021)
Exhibition
He Kapuka Oneone – A Handful of Soil
Exploring the relationship between tākata and whenua – people and land – through Aotearoa New Zealand’s art history.
Collection
Conor Clarke Travel without moving
In this work, Ōtautahi Christchurch-based artist Conor Clarke interprets a Māori practice of shielding the eyes when passing wāhi tapu. Made while completing the Tylee Cottage Residency in Whanganui, Clarke heard about the practice from mana whenua. Out of respect for Tongariro as a living tupuna, a string of leaves or a woven object would sometimes be used to cover the eyes in order to avoid the temptation of looking up at the peak. Clarke’s work presents a way of thinking about significant landmarks as places to be honoured and revered, rather than climbed or conquered.
wāhi tapu ~ sacred places
mana whenua ~ people with territorial rights over tribal land
Tongariro ~ mountain in central Te Ika-a-Māui North Island
tupuna ~ ancestor
He Kapuka Oneone – A Handful of Soil (from August 2024)
Exhibition
Spring Time is Heart-break: Contemporary Art in Aotearoa
A major exhibition featuring works that tell stories about personal and collective histories, communication, distance and relationships to our environment.