Becoming Someone Different

Becoming Someone Different

The Gallery’s new director, Blair Jackson, talks with Bulletin editor David Simpson about where he’s come from, what he’s got planned, and what he’s excited about as he settles in to his new role.

The London Club

The London Club

In September 2017, Gallery director Jenny Harper, curator Felicity Milburn and Jo Blair, of the Gallery Foundation’s contracted development services, Brown Bread, went to London, taking a group of supporters who received a very special tour of the city’s art highlights. While there, they further developed the Foundation’s new London Club. Recently they sat down together in Jenny’s office…

In The Studio

In The Studio

Paul Moorhouse: We are standing in front of a full-size cartoon for Cosmos, the new wall painting that will be installed at Christchurch Art Gallery. How does the cartoon relate to the final wall painting?

Bridget Riley: The cartoon is painted in gouache on paper, but it gives me a good idea of the full-scale image that will be recreated on the wall in Christchurch. I have also made a smaller painting in acrylic directly onto the wall here in the studio. This is complete in itself, and provides the information I need to give me confidence in the appearance of the discs when the larger image is created on the gallery wall.

Sideslip

Sideslip

Sydow: Tomorrow Never Knows recently opened at Gallery and the exhibition’s curator, Peter Vangioni, took the opportunity to interview UK-based sculptor Stephen Furlonger. Furlonger was a contemporary of Carl Sydow and mutual friend and fellow sculptor John Panting, both at art school in Christchurch and in London during the heady days of the mid 1960s. His path as an artist during the late 1950s and 1960s in many ways mirrored that of Sydow and Panting.

Observing Rituals

Observing Rituals

Kushana Bush is a Dunedin-based artist, whose meticulously detailed and stage-like worlds blend religious themes with secular narratives, often manifesting in ritualistic violence. Her paintings examine what spirituality, ritual and community might mean in a contemporary world. She spoke with Balamohan Shingade of ST PAUL St Gallery in February

The last five years

The last five years

An oral history of the Gallery building, 2010-2015.

 

Jonathan Mane-Wheoki: teacher

Jonathan Mane-Wheoki: teacher

There are some teachers you remember all your life: extraordinary individuals who view learning as a boundless source of energy, both for themselves and their students. This sort of teacher has not only total command of their subject, but an infectious enthusiasm for it that transmits itself to the minds of others. Teachers like this create advocates for their subject. They impart knowledge, but more importantly they show you a way of being in the world. It's a rare teacher who teaches you how to learn, but Jonathan Mane-Wheoki was one such individual.

Bringing threads together

Bringing threads together

Dr Lara Strongman is the Gallery's new senior curator. She speaks to Bulletin about her passion for writing and art history, the importance of culture in a post-earthquake community and the contemporary curator.

It’s our party and we’ll cry if we want to

It’s our party and we’ll cry if we want to

On 10 May 2013, Christchurch Art Gallery Te Puna o Waiwhetū turns ten. Which is fantastic. But it's probably fair to say that there's a bittersweet quality to the celebrations around this particular anniversary, as it also marks two years and eleven weeks of closure for the Gallery, and catches us staring down the barrel of another two years without our home.

It's frustrating. And then some.

However, we're not going to let these little, ahem, inconveniences get in the way of our party. Populate! is our birthday programme, and it's our attempt to bring some unexpected faces and figures back to the depleted central city. Bulletin spoke to the Gallery's senior curator Justin Paton about what he really wants for the tenth birthday, what he finds funny, and what he really doesn't.

Otira: it's a state of mind

Otira: it's a state of mind

A short road trip to the Otira Gorge was the scene for a conversation between Gallery curator Peter Vangioni and two of the artists included in Van der Velden: Otira, Jason Greig and the Torlesse Supergroup's Roy Montgomery.

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