What’s On
Edith Amituanai and Sione Tuívailala Monū: Toloa Tales
New video works trace migratory threads across Te Moana-nui-a-Kiwa as the artists return to their ancestral homeland.
Marilynn Webb: Folded in the Hills
A major survey exhibition of Ngāpuhi, Te Roroa and Ngāti Kahu artist Marilynn Webb.
From Here on the Ground
Populated places and cityscapes converge with backyards, factories and remote railway stops. Open now!
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Free entry, free wifi
Exhibition
Barbara Tuck: Delirium Crossing
Ambiguous, floating picture worlds, a restless exploration of painting’s promise.
Interview
Raising the Clay
One of the themes explored in the Gallery’s new exhibition Leaving for Work is local industry, particularly in relation to pottery. The show includes an 1896 painting by Charles Kidson of well-known early Sydenham potter Luke Adams; three late nineteenth-century pots by Adams; and projections of a number of exceptional photographs by Steffano Webb. Keen to learn more, exhibition curator Ken Hall met up with local pottery historian Barry Hancox – perhaps best-known as former Smith’s Bookshop proprietor – and leading New Zealand photographer, Oxford-based Mark Adams. Mark’s links to this story include a distant family connection to Luke Adams; photographing many celebrated New Zealand potters of the 1970s and 1980s; and an abiding interest in land and memory.
Exhibition
Perilous: Unheard Stories from the Collection
Making room for fresh voices, untold narratives and disruptive ideas.
Exhibition
The Moon and the Manor House
Aestheticism, Arts and Crafts, and the avid pursuit of beauty.
Commentary
Painted Disciple
Curator Ken Hall takes time to closely investigate an intriguing recent acquisition.
Commentary
Safe Houses, Comfort Zones
In an age of crisis and pandemic, our basic human need to remain safe has seen living spaces transformed into protection zones and shells to pull back into. So it is perhaps unsurprising to see pictures of domestic interiors charging up differently, re-emerging as sites of refuge, confinement and familiar disarray. Here curator Ken Hall looks at two works from the exhibition Persistent Encounters.
Commentary
Te Wheke: Pathways Across Oceania
Every few years, the curatorial team at Christchurch Art Gallery Te Puna o Waiwhetū embarks on a major rehang of the first-floor collection area. It’s no small undertaking finding fresh ways to combine long-held, well-known works and new acquisitions, looking for combinations that will offer compelling viewing, immersive storytelling and intellectual engagement to our wide and evolving visitor base. This time, director Blair Jackson added another dimension to our task, challenging us to reimagine the physical orientation of the spaces to encourage visitors to interact with the architecture in a completely different way.