Brendan O'Brien, cover for Paintings on Love (detail), Fernbank Studio, 2010. Letterpress. Private collection, Christchurch
Brendan O'Brien, cover for Paintings on Love (detail), Fernbank Studio, 2010. Letterpress. Private collection, Christchurch
This exhibition is now closed
A selection of hand-printed books from Wellington's Fernbank Studio.
Timed to coincide with National Poetry Day on 16 August, Christchurch Art Gallery and Central Library Peterborough present a selection of hand-printed books, broadsides and ephemera from Fernbank Studio, a private press run by Brendan O'Brien in Wellington. One of New Zealand's foremost letterpress printers, O'Brien has printed books for significant poets and artists including Bill Manhire, Jenny Bornholdt, Joanna Margaret Paul, Gregory O'Brien, Mari Mahr, Ralph Hotere and Pip Culbert. Fernbank Studio: away past elsewhere showcases the collaborative relationship that exists between poets, artists and the printer.
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Date:
12 August – 22 September 2013 -
Curator:
Peter Vangioni -
Exhibition number:
956
Related reading: Outer Spaces
Notes
Holloway Press 1994-2014
Last chance to view the Holloway Press exhibition at Central Library Peterborough this week so if you are in the neighbourhood and like beautifully printed, designed and hand-crafted books then make sure you head along.
Notes
Sian Torrington Call Out
Christchurch Art Gallery is excited to be working with Wellington-based artist Sian Torrington on a site-specific sculptural installation that will combine ideas, images and materials that relate to living in Christchurch now.
See below for a message from Sian to find out how you can get involved.
Notes
Outer Space programme sees Canterbury arts graduate exhibit work in Showhome
The Gallery's latest exhibition in the Outer Spaces programme, Showhome, has opened in Christchurch, featuring the disconcertingly 'perfect' works of recent University of Canterbury graduate Emily Hartley-Skudder.
Notes
Worcester Boulevard exhibition extended as publication developed
The popularity of Reconstruction: Conversations on a City has led to the exhibition being extended until 14 October, and the development of a publication.
Notes
The inner binding now on display at the library
If you've not been down to the Central Library Peterborough yet now's a good time to do it.
Notes
(Way Out)er Spaces
We're pretty pleased with what we're achieving with our Outer Spaces programme, but it's always good to see what else is out there. And I do mean 'out there'...
Notes
The ghost of studios past
In preparation for the next issue of Bulletin, Gallery photographer John and I have been out photographing some of the local artists who will be taking part in Rolling Maul when we reopen.
Interview
Silent Patterns
When we asked Tony de Lautour to produce a new work for the Bunker—the name Gallery staff give to the small, square elevator building at the front of the forecourt on Montreal Street—he proposed a paint scheme inspired by Dazzle camouflage. Associated with the geometric near-abstraction of the vorticist movement, Dazzle was developed by British and American artists during the First World War to disguise shipping. It was a monumental form of camouflage that aimed not to hide the ship but to break up its mass visually and confuse enemies about its speed and direction. In a time before radar and sonar were developed, Dazzle was designed to disorientate German U-boat commanders looking through their periscopes, and protect the merchant fleets.
Senior curator Lara Strongman spoke with Tony de Lautour in late January 2016.
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