Installation view of Wayne Youle Dear John/ Welcome Back/ With Love 2015–16. Commissioned by Christchurch Art Gallery Te Puna o Waiwhetū to mark the reopening of the Gallery. Photo: John Collie
Installation view of Wayne Youle Dear John/ Welcome Back/ With Love 2015–16. Commissioned by Christchurch Art Gallery Te Puna o Waiwhetū to mark the reopening of the Gallery. Photo: John Collie
Installation view of Wayne Youle Dear John/ Welcome Back/ With Love 2015–16. Commissioned by Christchurch Art Gallery Te Puna o Waiwhetū to mark the reopening of the Gallery. Photo: John Collie
Installation view of Wayne Youle Dear John/ Welcome Back/ With Love 2015–16. Commissioned by Christchurch Art Gallery Te Puna o Waiwhetū to mark the reopening of the Gallery. Photo: John Collie
This exhibition is now closed
It might be old-school, but everyone likes to get a postcard, and Wayne Youle’s latest project invites visitors to communicate their Gallery experience, create their own art mail or just write a letter to their mum.
With a title that alludes to some of the many different motivations we might have for putting pen to paper, this work comprises a series of 24 postcards designed by Youle, which are made available at cardboard writing stations placed throughout the Gallery's NZI Foyer and balcony spaces. Once written, the cards can be mailed in customised posting booths, from which they'll be sent anywhere for free, courtesy of the Gallery and Youle's friends and community, who have generously donated hundreds of stamps. Intended as something everyone can do, alone or together, in their own way, the cards have been hugely popular with our visitors and have so far been posted to almost everywhere in New Zealand and around the globe, from Finland and India to Colombia, China and the Czech Republic.
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Date:
19 December 2015 – 6 February 2016 -
Curator:
Felicity Milburn -
Exhibition number:
1002
Related reading: Wayne Youle, Activity, exhibition-1002
Exhibition
Wayne Youle: Look Mum No Hands
3 September 2017
Full to the brim with high energy, sharp-witted artmaking
Artist Profile
Wayne Youle: Look Mum No Hands
He’s been called a cultural prankster, an agent provocateur and a bullshit artist (that last description came from his dad, but it was bestowed – he’s pretty sure – with love). While we’re at it, add ‘serial pun merchant’ to that list; in art, as in conversation, Wayne Youle can spot a good one-liner a mile off and has never knowingly left an entendre undoubled.
Notes
The House of Wellbeing
On Saturday, I spoke at the launch of a major new work of art in public space—Wayne Youle's installation The House of Wellbeing ALL WELCOME, at the CPIT Aoraki campus on Madras Street.
Collection
Wayne Youle ALONE TIME
An obsessively ordered, subversively witty re-imagining of Wayne Youle’s studio, ALONE TIME also evokes a more abstract space: the creative sanctuary any artist must carve out from everyday life for the serious business of making art. A bunker, a tree-house, a ‘room of one’s own’, it’s full to bursting with references to the humour, self-doubt and daily work ethic required to build and sustain an artistic practice – not to mention the magic wand.
(Unseen: The Changing Collection, 18 December 2015 – 19 June 2016)
Article
Sparks that fly upwards
Curator Felicity Milburn remembers five years and 101 installations in a gallery without walls.
Notes
Viva Sydenham
It seems a lifetime ago that we combined with Gap Filler to launch the Gallery's first post-quake Outer Spaces project in Sydenham.
Collection
Wayne Youle The Saviour
In the weeks and months that followed the devastating earthquake on 22 February 2011, many Christchurch people looked in vain for a ‘hero on a white horse’ to lead the city out of crisis. Galloping creakily to nowhere, Wayne Youle’s riderless Saviour punctures the notion of a knight in shining armour. Instead, it emphasises his belief that this city’s salvation lies in the hands of ordinary people: all those who stayed – through choice or necessity – and contributed to the recovery in countless, unsung ways.
(Unseen: The Changing Collection, 18 December 2015 – 19 June 2016)
Exhibition
Tricksters
Expect the rug to be pulled out from under your feet with the last exhibition in the Rolling Maul series.
Notes
Wayne’s workshop
Wayne Youle ran a two-day workshop for 25 teenagers over the weekend. Students from an array of local Christchurch secondary schools were challenged to keep up with Wayne's non-stop energy... and to learn creative and design skills.
Notes
Where in the world is this year's first outer space?
So Wayne's wall is all done (and gloriously untagged) and Ronnie's peering out nightly over the Boulevard.
Notes
Shine on you crazy public art diamond
Just one last weather report, before this blog starts looking like a franchise of metservice.com...
Notes
LOVING THE BULLDOG
You could be forgiven for thinking that Wayne Youle is giving the French Bulldog a big hug.
Notes
What's going on in Sydenham?
Your father or grandfather probably had one. Maybe you've created one of your own. Possibly there's one on a wall at home, left there by a previous owner.
Exhibition
I seem to have temporarily misplaced my sense of humour
Stretching across a vast wall at the gateway to Sydenham, Wayne Youle's new public artwork is a shadowboard, where tools for rebuilding hang alongside many familiar but precious objects.
Notes
New bunker work installed
We've just had Wayne Youle in, creating a new work for the Gallery's carpark bunker.